Superman #26/1967
In "Batman Junior," Superman faces a bizarre threat from a dimension-hopping imp who targets the Man of Steel—only for Jimmy Olsen to foil the scheme, sparking the creature’s fury. Enraged, the imp creates four identical copies of Jimmy, plunging Metropolis into confusion. Curt Swan’s art, with George Klein’s inks, brings the surreal chaos to life, while the cover by Swan and Klein captures the moment of escalating mischief.
When Batman refuses to let Robin join him on a case, the young partner is hurt—especially when he stumbles upon an old photo showing the Dark Knight with a younger version of himself, a boy who now, years later, has returned to Gotham as Batman Jr. The mysterious figure, John Vance, claims to be a legacy of the original, but with a purpose that doesn’t align with Gotham’s protector. As the city’s shadows grow deeper, Batman must confront not just a copy, but a challenge to what it means to be a hero.
When a mischievous fifth-dimensional imp targets Superman, it’s up to Jimmy Olsen to foil the scheme—only to find himself turned into four identical copies, sparking chaos in the Daily Planet newsroom. With Lucy Lane, Lois Lane, Perry White, and Superman caught in the confusion, the real challenge becomes untangling the prank before the entire office descends into madness.
In a delightfully absurd twist on romance and heroism, a wealthy industrialist tries to arrange a wedding between his daughter and Superman—only for Dolores Rivera to flip the script, pretending she’s the one smitten with Clark Kent. With Lois Lane and Perry White watching in disbelief, and Superman Roboter looming in the background, the stakes get stranger by the minute.
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↩ Reprints Detective Comics #231 (1956), Superman's Pal, Jimmy Olsen #71 (1963), Superman #185 (1966)
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