¡Suélteme! #3

In a delightfully absurd twist, Dios finds himself face-to-face with the monjas ninjas, who wield shuriken with deadly precision—though he’s quick to correct their terminology. What follows is a chaotic clash of fire and faith, where immortality isn’t just a perk, it’s a punchline. When the dust settles, an unexpected harmony emerges, as even the most unlikely allies join in a surprising hymn.

In "Amor científico," Pescadas “El Cerebro” faces scrutiny over his questionable use of lab resources, accused of chasing mad science with unprocessed urine samples. Under pressure from Dra. Betereaga, he races to complete his experiment in one final night, only to have Barraco sabotage his work—until a living creature born from laboratory waste escapes, leaving Pescadas both baffled and mocked.

In "Los pequeños trogloditas! contra el comic," Sr. Figueroa and Sr. Zuberbüller descend upon a comics convention with disdain, mocking the young fans they deride as "pequeños trogloditas." As they navigate a surreal landscape of costumed enthusiasts and obsessive collectors, their rant against fandom, imported art, and underground comics spirals into a biting satire of cultural decay—only to realize the chaos they fled is just the norm.

In a sharp, satirical fotonovela twist, Victoria, Infante Roger, and Libertad find their world upended when the maids in their household stage a surreal, data-driven revolution. What begins as a routine day in the home spirals into a bizarre takeover, as domestic workers leverage hidden intelligence to dismantle the old order—leaving factories idle, markets in chaos, and the planet on the brink of a new era.

In a delightfully absurd twist on the biblical tale, Dios sets out to create the universe—only to be sidetracked by a persistent visitor and his own increasingly chaotic improvisations. As he shapes Adam in his own image, the divine plan spirals into a farcical mix of domestic drama and social awkwardness, with Titina, Tamara, and even S.W.A.T. officers unexpectedly drawn into the unfolding chaos.

In "Milagro chamánico," Calavera journeys to Paleta Seca, a self-proclaimed shaman, seeking to escape reality and see the world anew. After consuming a cactus, Calavera’s hallucination unfolds in surreal, exaggerated imagery—only to unravel into a comically mundane misunderstanding, leaving him both bewildered and charged a small fee.

Margarita, the kindest girl in the universe, gets a surprise visit from Gabrielín when God takes note of her goodness. Her wish to be surrounded by elderly men sends her straight to the Geriátrico “Rayo de Sol,” where her relentless cheer leads to increasingly grim and absurd situations — all culminating in a punchline that lands with a grim chuckle.

In a wildly absurd twist of fate, a penguin named Pingüi finds himself at the center of a chaotic battle between the Orca-Tiburón and a cast of eccentric creatures, including the Oso, the farabundo, and the Pata-Pingüino. As the crisis escalates, divine intervention looms in the form of the Rey-Mago and a cosmic Dios, all rendered in Eito’s signature surreal, satirical style.

In "Base lunar alien," a solitary man endures the crushing quiet of a lunar base, his days marked by routine and the slow erosion of sanity. When frantic radio calls from Earth hint at a world-ending crisis, his isolation takes on new meaning—his loneliness may not be a personal failing, but the quiet beginning of something far greater.