Strange #236
In "Crise d'identité," Peter Parker faces a personal crossroads as he considers a new job in Kansas, testing the strength of his marriage to MJ, who loves New York but struggles with the idea of leaving. Meanwhile, Spider-Man and the Sandman team up with Silver Sable to stop Neo-Nazi leader Franz Kraus from seizing power and launching a Fifth Reich in America. Written by David Michelinie and illustrated with bold, dynamic art by Todd McFarlane—his inks and Bob Sharen’s colors adding sharp intensity—this 1989 issue blends domestic tension with high-stakes action. The cover, by Ciro Tota, captures the story’s mood with striking, expressive detail.
In "Crise d'identité," Sasquatch grapples with a profound shift in self as he navigates life in a new female form, leaving him vulnerable at a time when the great beasts see an opportunity to reclaim him. Meanwhile, Alpha Flight faces the beasts anew, and Jeffries leverages Bedlam’s underground lair to transform Box into a giant robot in a desperate bid to stop Tundra.
In "Sur les quais," Peter and MJ face a quiet crossroads as Peter considers a new research job in Kansas, testing the strength of their life in New York. Meanwhile, Spidey and Sandman join forces with Silver Sable to stop Neo-Nazi leader Franz Kraus from seizing power—only to return to a changed home, where MJ’s decision to leave the city may be undone by a new one of Peter’s own.
In "Même un dieu peut mourir," Ant-Man and the Wasp race to protect the comatose Hercules from Titania and the Absorbing Man, while Captain Marvel fights to escape Blackout’s suffocating darkforce dimension—each struggle testing the limits of power and resolve. Meanwhile, Mister Hyde turns his cruelty on Jarvis, deepening the stakes in a story where even gods are not immune to death.
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↩ Reprints The Avengers #275 (1987), Alpha Flight #55 (1988), Iron Man #230 (1988), The Amazing Spider-Man #303 (1988)
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