Slugger #1
☆ Be the first to review + Add to your collection — Join free"Slugger #1" (1956) kicks off with the story "Don't Let It Out Of The Bag," a quirky, character-driven tale set against a backdrop of 1950s Americana. From selling seeds to door-to-door salesmen to chasing scholarship dreams, the issue captures a slice of everyday life with a touch of whimsy, all rendered in the crisp, expressive style of Charles Biro on the cover and typeset lettering inside.
The Little Wise Guys pull off a classic snipe hunt prank on their pal Scarecrow, sending him into the woods with an open bag to catch a creature that doesn't exist—but their joke takes an unexpected turn when Scarecrow actually shows up with something real in the bag. It's a hilarious lesson in being careful what you wish for, as the pranksters get a taste of their own mischief in this 1956 humor tale.
Slugger's day of running errands for his boss takes a turn when he agrees to babysit for a neighbor—a job that proves far more chaotic than he bargained for. Between an uncooperative baby and some unruly animals, this 1956 humor tale shows the kid learning that not all jobs pay equally in peace and quiet.
Slugger practices his shadow-boxing routine with lightning-quick combinations, but when a friend rushes over to watch, things take a comedic turn in this 1956 one-pager. A well-timed mix-up turns the solo training session into an unexpected sparring match nobody saw coming.
Slugger shows up with a nasty black eye and tells Scarecrow an outlandish tale: he dreamed he climbed a giant beanstalk and found himself face-to-face with a massive giant who threw punches his way. In the dream, Slugger managed to best the brute and convince him to turn over a new leaf—but the real truth behind that shiner is far more mundane than any fairy-tale battle.
Slugger and the Little Wise Guys spend an afternoon at the Museum of Natural History, bouncing from dinosaur skeletons to mummies to talk of the zoo, trading wisecracks about everything they see—from petrified Roman thieves to mysterious exhibits. What starts as a chance to learn turns into a comedy of confusion when one of the gang discovers that "rhesus primates" might be more than just animals.
When Slugger takes a tumble and starts acting peculiar, the Little Wise Guys become convinced something's seriously wrong and drag him to the doctor for an emergency exam. The prescription that comes back sets off a hilarious chain of misunderstandings involving a recipe, a distracted druggist, and Slugger's appetite in this 1956 romp that proves sometimes the cure is more confusing than the ailment.
Slugger dreams of joining The Little Wise Guys' orchestra and gets his chance when their harpist falls ill—but there's just one catch: he only has to play a single note during the concert. What starts as a simple task becomes a comedic ordeal when Slugger struggles to hit the right string during rehearsal, sending the maestro into increasingly exasperated fits. By showtime, though, the Professor has a plan to set things right.
Slugger's quiet evening at home takes a chaotic turn when a blown fuse plunges the place into darkness, and things only get stranger when he and the Little Wise Guys decide to spend the night investigating whether the house is truly haunted. As mysterious sounds and apparitions plague them in the dark, Slugger and his friends scramble to figure out what's real—and who (or what) is responsible for the spine-tingling mayhem.
Slugger thinks he can outshine The Little Wise Guys at their greeting card door-to-door hustle, but when a street peddler undercuts everyone's prices and cleans up the sales, Slugger discovers that sometimes the real lesson isn't about winning—it's about knowing when you've been beaten fair and square. This 1956 humor story proves that in the world of sales, a little friendly competition can teach you more than any playbook ever could.
When snow falls on the city in 1956, Slugger and The Little Wise Guys see a chance to make quick cash shoveling driveways—until they discover the Mayor's kid and his crew have already claimed the best blocks. Rather than back down from the competition, Slugger cooks up an ingenious contraption to handle the job faster, with results that catch everyone's attention. It's a scrappy tale of street smarts and one kid's clever workaround when the odds seem stacked against him.
When a young person exhausted from running catches the attention of an older fellow, what follows is a lesson in stamina—though not quite the one the elder expected. Slugger takes center stage in this lighthearted 1956 romp that turns assumptions about youth and vigor on their head.
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