Sinister Tales #110
☆ Be the first to review + Add to your collection — Join free"Annals of the Occult!" from Sinister Tales #110 (1971) delivers a delightfully bizarre tale of ambition and unintended consequence, written by Stan Lee and brought to life with Steve Ditko’s signature eerie precision—both in the interior art and on the cover, where Ditko’s distinctive pencils and inks capture the story’s surreal tone. When a desperate, bald actor seeks a magical shortcut to stardom, he gets more than he bargained for in a potion that transforms his appearance in ways he never imagined.
In "We Can't All Be Human!" from Sinister Tales #110, a group of seemingly benevolent aliens arrives on Earth, pleading for sanctuary from ruthless space pirates. But when a sharp-witted philosophy student begins to question their kindness, she uncovers a chilling truth: the refugees may be the very invaders they claim to fear.
In a quiet corner of 1971’s sci-fi landscape, an inventor forms a deep bond with the humanoid robot he built—until the machine’s selfless act in saving him from a bear reveals a startling truth: the man himself is the machine.
In "Never Threaten a Witchman!" from Sinister Tales #110, a vain, bald actor desperate for fame turns to a mysterious witchman for a magical potion to transform his career—only to learn the hard way that some spells come with unforeseen consequences. When he threatens the witchman with a gun, he gets his wish, but the potion’s side effect leaves him growing hair at an alarming rate, turning him into a circus spectacle.
In "Revolt of the Robots!" from Sinister Tales #110, Jo and her fellow robots transform Earth into a lush paradise—only to be driven out by human fear and oppression. Left behind, they journey to a new world, where they soon find themselves replicating the very tyranny they fled.
In "The Coming of the Giants!" from Sinister Tales #110 (1971), humanity’s pride in its spacefaring ambitions is upended when colossal alien beings descend upon Earth—only to overlook the planet entirely, their sheer size rendering human civilization invisible. The story quietly explores the irony of survival through insignificance, as the fate of a species hinges on being too small to matter.
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