Sad Sack Comics #289
☆ Be the first to review + Add to your collection — Join freeIn "Mummy's Boy," Sad Sack finds himself tangled in a bizarre mix-up involving ancient relics and a mysterious curse, all while trying to keep his usual brand of clumsy charm intact. This 1992 issue, featuring art and inks by Al Avison and colors by Ken Selig, is part of a nostalgic re-issue campaign promoted on page 34 with a striking Black Cat image, spotlighting titles like The Original Sad Sack #1 and Sad Sack Comics #288, #289. The cover, a collaborative effort by Ken Selig and Fred Rhoads, captures the playful, retro flair of the era.
In "Mummy's Boy," Sad Sack dozes off during a desert digging detail and dreams he unearths a mummy that instantly becomes his obedient servant—leading to a series of hilariously over-the-top misadventures in the heat and sand. The story unfolds with classic military humor, blending absurdity and the surreal in a dreamlike escape from duty.
In "The Gang's All Here," Sad Sack and his fellow soldiers in Egypt find themselves caught in a bizarre twist when their daydreams turn real—mummies rise from the sands, eager to serve, only to be outwitted by the cunning Cleopatra and the mysteriously named Mummy Prince Das Kcas, whose anagram hints at more than just a name.
In "Orf! Orf! Orphan," Muttsy’s repeated mishaps—each one tripping up General Rockjaw—lead to his banishment from the barracks, leaving him feeling isolated and unappreciated. When a kind civilian offers him unexpected praise, Muttsy hopes for a fresh start, only to discover the man is Rockjaw’s superior officer.
In "Oops!", Sad Sack tries to do the right thing by taking Sarge to the hospital for a sore finger—only to crash the jeep en route, leaving both men in the ER with more than just a sprained finger. The story’s chaotic humor shines in its perfectly timed misfortune, capturing the classic absurdity of military life.
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↩ Reprints Sad Sack Comics #173 (1966), Sad Sack and the Sarge #66 (1968)
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