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Sabretooth: Open Season #[nn]
☆ Be the first to review + Add to your collection — Join freeThis 2005 Marvel collection brings together the three-issue Sabretooth: Open Season miniseries, written by Kieron Dwyer and illustrated by Cully Hamner. The story follows Victor Creed as he is released from prison and immediately targeted by a group of super-powered hunters, forcing the savage mutant to become the prey in a deadly game across New York City.
In "A Cold Day in Hell," writer Daniel Way and artist Bart Sears deliver a tense, grounded tale as Sasquatch, already battered from a clash with Sabretooth, is mistakenly shot by a coast guard soldier who sees him as a monster. As the soldier tends to his wounds, Sasquatch reveals a chilling mission: Sabretooth has been tormenting a Wendigo, driving it into a frenzy that has turned the creature into a killer loose on the isolated Isle Dupree. Cover by Paolo Rivera captures the grim, isolated atmosphere of the story.
In "A Cold Day in Hell," Sabretooth is drawn into a brutal mystery when a U.S. Coast Guard crew stumbles upon a blood-soaked island, Isle Dupree, where every soul has been slaughtered. With the trail leading to the infamous mutant, Sasquatch arrives to help unravel the truth—before the killer strikes again.
In "Cold Comfort," Sasquatch fights a brutal battle against Sabretooth on the frozen shores of Isle Dupree, emerging broken and overwhelmed. As coast guard survivors push through the snow in search of their missing team, they begin to realize the true horror behind the massacre may not be the feral claws they expected.
In "Kill or Be Killed," Sasquatch, barely alive after a brutal clash with Sabretooth, is mistaken for a monster and shot by a coast guard soldier. As the soldier tends to his wounds, Sasquatch reveals a chilling pursuit: Sabretooth has been driving a Wendigo into a frenzy, turning the creature into a killer that has slaughtered the people of Isle Dupree.
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↩ Reprints Sabretooth #1 (2004), Sabretooth #2 (2004), Sabretooth #3 (2005), Sabretooth #4 (2005)
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