Roxy #8 July 1961 [174]
☆ Be the first to review + Add to your collection — Join freeIn "Absent Love," Jo—used to the grease and grit of her father’s garage—steps into a new world of charm classes, makeup, and fresh dresses, testing the waters of a different kind of strength. When her chance encounter with Roger at a dance leads to a stalled motorbike and a missed train, she finds herself in control, fixing the bike with quiet confidence. Art by Daniel Garcia brings the story’s subtle shift in tone to life, while José Bielsa’s cover captures the moment’s quiet tension.
In "null," Joyce finds herself caught between memories and the quiet distance growing between her and Frank. When he takes her to Culworth Cove, the place where she once shared a moment with Peter—someone who once made her feel seen—the past stirs, and the weight of what might have been begins to echo in the present.
In "Absent Love," Jo finds herself drawn into a quiet moment of connection when Charles, a visiting film crew member, asks her to show him around town while the Telerama production sets up. As they slip into the back row of the cinema, the flickering screen casts shadows over their shared silence—until Charles leans in, and the moment hangs in the air.
In "Romance on Wheels," Jo—used to fixing cars in her dad’s garage—steps into a new world of charm classes and fresh dresses, determined to try a different kind of appeal. When she meets Roger at a dance and he offers her a ride home, their plans take an unexpected turn when his motorbike breaks down. With the train fast approaching, Jo’s practical skills and quick thinking shine as she takes charge, proving that confidence and competence can be just as alluring as any makeover.
In "My Seaside Triangle," Edie scrambles to save the Flip Kids' show at the last minute when the performers vanish an hour before curtain-up, suspecting Colonel Potter’s meddling. With quick thinking and a dash of charm, she rallies a group of retired show-biz veterans to step in and keep the seaside performance going.
In "It Had to Be Told," Tina finds herself caught between friendship and feeling when a chance casting in the local drama group forces her to play a lover with Roy—her longtime neighbor and coworker. What starts as a simple performance soon reveals a truth she hadn’t admitted, even to herself.
In "Wishing Can Make It So," Jo finds herself caught between public heartbreak and private hope when her friend Don announces his engagement—only to realize her true feelings lie with Bob, the quiet man in charge of the office typing pool. When the firm takes a trip to Hardwick Castle, Sally visits the famed wishing well, whispering a secret wish that Bob might one day see her the way she sees him.
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Reprinted in Romantica #18 (1962)
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