Romeo #2 March 1963
☆ Be the first to review + Add to your collection — Join freeIn "You, Me and the Smog," a thick London fog strands Jill on a rainy evening, leading her brother to arrange a ride on a scooter. When her mysterious rider, Joe, finally arrives, the moment grows warm and intimate—until the doorbell rings, shattering the quiet with a startling twist. Terry Patrick’s expressive art brings the claustrophobic mood to life, while Norman Lee’s cover captures the tension with a single, striking image.
In the thick of a city swallowed by smog, Jill’s brother arranges for a friend to pick her up on his scooter, but delays leave her waiting. When the scooter finally appears, she invites the rider—Joe—up for coffee to warm up, only for a sudden knock at the door to reveal the real reason for the delay. The moment turns tense as Jill confronts the misunderstanding, her kitchen now the stage for a swift and surprising reckoning.
In "null," Brenda faces a crisis after being used as cover in a robbery she didn’t commit, now caught between her father’s wrath and the betrayal by Ted—whose lies have even fooled Paddy. With her only escape plan unraveling, she’s forced to confront both her family and the truth as Paddy and her father walk in.
Sandra wakes to find the bathroom already claimed by the writer living above her—her new neighbor, a man whose late hours and clattering typewriter soon become the soundtrack to her nights. When his typing keeps her up, she fires back with her records, turning their shared apartment into a quiet war of late-night rhythms.
In "Lucky in Love," Lisa’s deep-seated superstitions threaten to ruin her relationship with Bob, but she ultimately chooses him over her fears. When Bob asks for a number at the dance contest and the only one left is 13, Lisa braces for disaster—only to be surprised when they’re announced as the winning couple, and Bob reminds her that nothing is impossible for them.
In a quiet moment of regret and change, Dave—once a steadfast member of a women-hating club—finds himself reconsidering his stance after a chance encounter with Barbara, a girl he once brushed off at his sister’s wedding. A weekend hike meant to avoid women takes an unexpected turn, and a week later, his decision to face the past is written in the way he walks toward a bus stop. The story, told with subtle humor and gentle shifts in tone, captures a single moment of transformation in a world where friendships and beliefs are quietly redefined.
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