Romeo #11 January 1964
☆ Be the first to review + Add to your collection — Join freeIn "Real Crazy Days Like...", Sherry takes a bold stand against men by vowing to live without them—only to find her resolve tested when she stumbles into a student orchestra rehearsal, all male, and finds herself drawn into their world. Guido Buzzelli’s expressive art brings her journey to life with quiet humor and subtle charm, capturing a moment of personal reckoning in a world where boundaries blur.
In the quiet storm of a lonely road, Tim wrestles with his broken-down motorcycle as rain slicks the asphalt around him. Meanwhile, miles away, Jennifer drifts into a daydream—wondering what it might have been like to know a man who still carried the old kind of charm, back when manners meant something.
In Egypt, Juliette and Hector encounter an American sculptor commissioned to create a statue of Cleopatra. That night, Juliette slips away to meet him, drawn by his offer to take her to the States and marry her after his work is done. A week later, the statue is unveiled—and to everyone’s astonishment, Cleopatra’s face is Juliette’s.
In "Once Upon a Dream," Jo imagines a dazzling life beyond the garage as Bill asks her to dance—her fantasy unfolding in a whirl of stardom, fame, and impossible romance, all while the real world waits just outside the dream.
In "null," Sherry resolves to leave men behind—no more distractions, no more heartache—so she turns to music, searching for the perfect instrument to call her own. When her instructor invites her to a student orchestra rehearsal, she’s surprised to find it’s made up entirely of men, and the evening takes an unexpected turn when three of them escort her home after coffee.
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