Rod Cameron Western #7
☆ Be the first to review + Add to your collection — Join freeRod Cameron finds himself trapped in a deadly scheme orchestrated by Bat Gorman and his six-gun gang, who plan to use a keg of powder to trigger a landslide that will bury both Cameron and a wagon train of settlers in a blocked mountain pass. After a harrowing escape and fierce struggle, Cameron manages to clear the trail, rescue the trapped settlers from the snowbound pass, and escort them safely to California. The story concludes with Cameron bidding farewell to the grateful settlers at Horned Owl Creek as they continue on to their new home.
Hoghead Harry, a gruff ranch hand, storms into town after quitting his job at the H-B Ranch, claiming the boss said something he didn’t like—specifically, “Get out and don’t come back!” When a townsfolk questions his sudden departure, Harry grumbles about the insult, leaving his reason just vague enough to hint at a comically petty grievance.
Old Slick, a perpetually dramatic man, bursts into tears over a minor mishap, much to the discomfort of his friend, who’s forced to endure the emotional outpouring—especially since the dampness is aggravating his rheumatism. The story captures a lighthearted, absurd moment of exaggerated emotion in the dusty frontier, where even a crying towel is a necessity.
Rod Cameron and his horse War Paint race to rescue a wagon train stranded by a storm, battling raging waters and a treacherous mountain pass. As they confront a gang of outlaws led by the cunning Bat Gorm, a deadly trap is set—forcing Rod to choose between saving the settlers or himself.
Ken Winslow and his friend Jim ride toward a lake when they hear an axe ringing out, puzzling Ken until Swadden orders the boy tied up, planning to drown him when the lake fills the gorge.
Rod Cameron and his stallion War Paint are buried alive by a snowslide, but as the mountain trembles and steam erupts from the snow, they begin to dig their way out. With the trail ahead blocked by a deadly gap, Rod devises a daring plan to have War Paint jump it, using a rope to pull himself across just behind.
In a comically absurd twist, Sheriff Sam arrests a man claiming to be a nudist, only to discover the man is actually wearing clothes—his "duds"—and insists he’s just borrowed them for exercise. As the sheriff prepares to lock him up, the man tries to charm his way out with exaggerated boasts about his wardrobe and a hidden stash of money, all while the humor escalates with exaggerated banter and a mock-serious jailhouse showdown.
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Reprinted in Rod Cameron Western #8 (1950), Rod Cameron Western #2
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