R. Crumb Draws the Blues #[nn]
☆ Be the first to review + Add to your collection — Join freeThis collection brings together a selection of R. Crumb's blues-inspired illustrations and comic strips, showcasing his deep affinity for early American blues and folk music. Originally published in 1992 by Knockabout, the volume features Crumb's distinctive, intricate linework and his characteristic blend of reverence and irreverence toward the music and its performers. It includes portraits of legendary blues artists, as well as Crumb's own interpretations of song lyrics and scenes from the blues life.
"Patton" is a striking, self-referential piece from Robert Crumb’s 1992 collection, where his signature cartoonish style and introspective edge converge in a single, recurring image: a small headshot of Crumb himself. The portrait appears across multiple pages—inside front cover, last interior page in negative, and on the inside cover with a black background—each iteration subtly shifting in tone through its presentation. With Crumb both artist and inker, the work feels like a quiet, personal meditation on identity and presence, rendered in his unmistakable hand.
"Patton" presents a vivid, grounded portrait of the legendary bluesman Charley Patton, tracing his journey from early encounters with the music in the early 1900s to his rise as a towering figure in the Delta blues scene, all rendered in the stark, expressive style that defines R. Crumb’s work.
In "The Old Songs Are the Best Songs," a wry, irreverent take on classic tunes brings unexpected life to familiar lyrics, reimagining "On the Street Where You Live," "My Guy," "Purple Haze," and "When You Go a Courtin'" with a touch of Crumb’s signature wit and offbeat charm. The story unfolds through a series of playful, surreal vignettes, each twisting the original songs into something delightfully strange and oddly heartfelt.
In "Jelly Roll Morton's Voodoo Curse," the legendary pianist’s own words weave a haunting tale of fame, ambition, and the mysterious forces that may have shadowed his rise and fall. Through vivid, expressive art, the story explores the darker currents beneath Morton’s flamboyant persona, leaving the weight of his past—and its unseen toll—lingering in the air.
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Reprints
↩ Reprints Mr. Natural #1 (1970), XYZ Comics #[nn] (1972), Arcade the Comics Revue #3 (1975), Weirdo #5 (1982), Zap Comix #11 (1985), Raw #7 (1985), Weirdo #14 (1985), The World according to Crumb / Le monde selon Crumb #[nn] (1992), CoEvolution Quarterly #18
Reprinted in Blues #[nn] (1993), R. Crumb Draws the Blues #[nn] (1993), The Complete Crumb Comics #17 (2005)
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