Palestine: The Special Edition #[nn]
☆ Be the first to review + Add to your collection — Join freeThis special edition collects Joe Sacco's acclaimed graphic journalism from his 1990s travels in the West Bank and Gaza Strip, originally serialized in the comic series Palestine. Combining detailed, expressive art with firsthand interviews, Sacco documents the daily realities of Palestinians under Israeli occupation, offering a deeply personal and unflinching look at the conflict. The volume includes supplementary material such as an introduction by Edward Said and additional notes from the author.
"Cairo," a powerful entry in Joe Sacco’s Palestine: The Special Edition, follows the journalist and his guide Sameh through a series of intimate, harrowing interviews in 2007. From visiting the grave of the first intifada martyr to hearing firsthand accounts of displacement and loss, the story unfolds with quiet intensity, anchored by Sacco’s own writing, art, inking, and lettering. The cover, also by Joe Sacco, captures the weight of the journey in its stark, evocative line work.
In "Blind Dates," Joe Sacco meets a man in the West Bank whose warmth contrasts sharply with the silence of U.S. media on Palestinian oppression. The story quietly juxtaposes the global attention given to the Leon Klinghoffer/ Achille Lauro incident with the erasure of ongoing struggles in the region.
In "The Bucket," Sami takes Sacco to a village east of the Green Line, where the quiet rhythm of daily life is shadowed by the weight of ongoing injustice. Through the villagers’ unvarnished stories, the harsh realities of occupation unfold—each account a quiet testament to resilience and loss.
In "Brother for a Day," Jo encounters Khaled, a young man on the run from soldiers, and together they journey to Kalandia to meet the family of Khaled’s friend. As the two navigate the tense landscape, Jo tries to share a message of solidarity, hoping to bridge understanding between communities divided by conflict.
In "The Tough and the Dead," a Palestinian woman recounts the brutality she endured during her detention by the Shin Bet, her testimony a quiet yet piercing account of resilience. Through Sacco’s presence at the funeral procession for Mustafa Akkawi—whose life ended after two weeks of interrogation—the story weaves personal memory with collective grief, grounding a harrowing narrative in real, lived experience.
In "Law," Joe Sacco engages with an Islamic lawyer defending a man accused of an honor killing, navigating the complex intersection of tradition, justice, and personal conviction. As the conversation unfolds, a nearby man challenges Sacco with pointed questions, questioning the impact of his work on Palestine and the broader moral weight of bearing witness.
In "The Boys, part three," Firas, a fifteen-year-old from Palestine, recounts his unexpected entanglement with the Popular Front for the Liberation of Palestine, sharing the raw, personal moments that marked his first steps into a world far beyond his years. The story unfolds with quiet intensity, capturing the weight of choices made in the shadow of resistance.
In "The Boys, part four," Joe Sacco interviews a seventeen-year-old who survived a shooting by men in Arabic dress, capturing the raw tension of life in Gaza. The story also explores the challenges faced by a YMCA program head grappling with how to help the many injured youth find a place in a society strained by conflict.
In a quiet moment on a sun-drenched Tel Aviv beach, two women share thoughts on the fragile hope of peace, their conversation tinged with weariness and the weight of constant apology. This intimate, grounded scene captures a fleeting pause in a long struggle, where personal reflection meets political reality.
In Jenin, Joe Sacco meets a man who quotes Shakespeare with weary irony, offering a sharp, skeptical view of peace in the conflict—less about hope, more about the weight of endless negotiation and broken promises.
In "A Boy in the Rain," Joe Sacco captures a haunting moment in Jerusalem: a young boy forced to stand in the downpour while Israeli soldiers question him, a scene that lingers as a stark metaphor for the region’s unresolved tensions. Through quiet encounters with an Oxford student and others, Sacco reflects on the fragile hope of peace, leaving the weight of what comes next in the rain-soaked silence.
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Reprints
↩ Reprints Palestine #1 (1993), Palestine #2 (1993), Palestine #3 (1993), Palestine #4 (1993), Palestine #5 (1994), Palestine #6 (1994), Palestine #7 (1994), Palestine #8 (1995), Palestine #9 (1995), Palestine #[nn] (2001)
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