One World Under Doom #9
☆ Be the first to review + Add to your collection — Join freeOne World Under Doom #9 is the narrative capstone of a nine-issue event that Marvel itself positioned as the most significant status-quo shift since Dark Reign in 2008, and the finale earns that weight by refusing a tidy reset. The issue delivers what amounts to a landmark Doctor Doom character study: stripped of his empire and his Sorcerer Supreme title, Doom sacrifices his very existence to resurrect his goddaughter Valeria Richards through a bargain with the Living Tribunal, a rare act of pure, selfless love from one of Marvel's most calculating antagonists. That transaction simultaneously clears the deck for an entirely new magical hierarchy — the issue's closing pages reveal Wanda Maximoff, the Scarlet Witch, as the next Sorcerer Supreme, a torch-passing moment that directly seeds her own ongoing series. Together, Doom's exit and Wanda's ascension make this issue a genuine pivot point in the modern Marvel Universe rather than a routine event epilogue.
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We Buy Collections ▸History
The series was first announced at San Diego Comic-Con in July 2024 and spins out of the Blood Hunt event, in which Doctor Doom maneuvered Doctor Strange into surrendering the Sorcerer Supreme mantle. The core title was originally solicited as a five-issue miniseries under the title The Rise of Emperor Doom before being both expanded to nine issues and renamed — Marvel gave no public explanation for either change. The series was also pushed from its original November 2024 launch to February 2025. Writer Ryan North, who was simultaneously scripting the main Fantastic Four title, and artist R.B. Silva — known for defining X-Men work on Powers of X and Rise of the Powers of X — formed the creative backbone, with colorist David Curiel and letterer VC's Travis Lanham rounding out the team; the finale added penciller Bernard Chang for the Scarlet Witch end-credit sequence that ties directly into his subsequent Sorcerer Supreme ongoing series.
Trivia · 8 facts
- Published November 19, 2025 (cover-dated January 2026); the ninth and final issue of the One World Under Doom limited series, written by Ryan North with art by R.B. Silva and Bernard Chang, colors by David Curiel, and letters by VC's Travis Lanham, edited under Tom Brevoort and Editor-in-Chief C.B. Cebulski.
- The issue contains a landmark Doctor Doom story beat: mortally wounded by his own bargain, Doom willingly sacrifices his powers, his title as Sorcerer Supreme, his empire of United Latveria, and ultimately his life to compel the Living Tribunal to resurrect Valeria Richards — who had been killed during Doom's attempt to lock his final victory as a fixed point in time.
- The Living Tribunal — a cosmic entity first created by Stan Lee and Marie Severin, debuting in Strange Tales #157–158 (1967) — plays a pivotal dramatic role here as the ultimate arbiter who grants Doom's request in exchange for everything Doom has to offer, including his soul and life.
- The issue's closing 'end-credit' scene (explicitly compared by reviewers to MCU post-credit sequences) reveals Wanda Maximoff / Scarlet Witch claiming the Eye of Agamotto and Cloak of Levitation, establishing her as Marvel's new Sorcerer Supreme — a status quo that directly launches the Sorcerer Supreme ongoing series by Steve Orlando and Bernard Chang.
- Reed Richards / Mister Fantastic receives Doom's last will and testament, hidden inside Doom's mask; it names the executor of Doom's estate and sets up story threads carried forward into subsequent Marvel titles including The Will of Doom #1 and Captain America #6.
- The series was originally solicited as a five-issue miniseries titled The Rise of Emperor Doom before being expanded to nine issues and renamed; no official reason was ever given for either change, and the launch was also delayed from November 2024 to February 2025.
- The collected trade paperback of the full nine-issue run was released February 10, 2026.
- The event's creative framing — portraying Doom's authoritarian governance as superficially appealing (free healthcare, open borders, banned wars) while exposing its fascist underpinnings — drew significant critical commentary for its pointed real-world political parallels, with multiple reviewers noting Ryan North brought those themes to their sharpest expression in this finale.
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Reprinted in One World Under Doom #[nn] (2025)
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