Oltretomba poker #6
"La fredda carezza" in Oltretomba poker #6 (2025) delivers a chilling tale of obsession and retribution, anchored in the haunting atmosphere of a haunted household. Written and illustrated by Stelio Fenzo, the story unfolds through a series of eerie séances led by Dr. Rodolfo Malaviti, whose fixation on the spirit world masks a deeper darkness. The cover by Alex Horley captures the tension with a stark, unsettling image that mirrors the story’s growing unease.
In "La fredda carezza," il Dottor Rodolfo Malaviti, devoto allo spiritismo e ospite di sedute notturne nella sua casa, vede la sua vita stravolta quando il Conte Raniero, più interessato a Lucia che ai segreti dell’aldilà, commette un atto oscuro nell’ombra. Dopo la morte di Lucia, una presenza inquietante sembra emergere dalle tenebre, sussurrando di giustizia non ancora compiuta.
In "Le rosse pupille di Hilde," Christophe, a postal worker whose love for life clashes with his resentment toward his ailing wife Hilde, finds his carefully constructed world upended when she discovers his betrayals and the theft of her savings. Her suicide doesn’t end her presence—instead, her spirit lingers, eyes burning red with unresolved fury, bound to haunt him across the veil.
In "La Dama Bianca di Norimberga," the lustful and brutish Count Nicholas of Steinkirchen becomes consumed by the ghostly presence of the Dama Bianca, a spectral figure haunting the ruins of a forgotten castle. Driven by obsession and blind desire, he dares to summon ancient, forbidden powers in a desperate bid to claim her—no matter the cost.
In "La Signora di Panama," two actors caught in the heat of filming a movie find themselves entangled in a creeping curse that follows them beyond the set. As the line between performance and reality blurs, an ancient spirit from Panama begins to claim those who cross its path.
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↩ Reprints Lucifera #2 (1971), Oltretomba #29 (1972), Oltretomba #50 (1973), Oltretomba #101 (1975), Oltretomba #111 (1975), Lucifera #3
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