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Mystic #26 cover

Mystic #26

Jan 1954 · Marvel · 0.10 USD
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About this Issue

Mystic #26 is a sharp representative artifact of Atlas Comics' pre-Comics Code horror era, arriving at the peak of the early-1950s horror-anthology craze that drew the U.S. Senate's scrutiny and eventually prompted the industry to establish the Comics Code Authority. Its striking severed-head cover — directly mirroring the visceral body-horror imagery that alarmed moral-panic critics of the period — makes it a tangible document of what pre-Code Atlas was willing to put on a newsstand rack. The issue also demonstrates the range Atlas editors packed into a single 36-page book: grotesque supernatural revenge, atomic-age existential dread, and a witchcraft-and-body-swap thriller, all before issue #37 compelled the title to soften its content.

In "Good Morning, Mr. Smith!", Oscar Holmes—firmly convinced the supernatural is nonsense—tries to steal his friend John’s stories and pass them off as his own. But when John lures him to a secluded cottage, Oscar finds himself in a situation far stranger than any tale he’s ever written. Art by Al Eadeh, this 1954 issue delivers a chilling twist on belief, authorship, and the unseen.

Contains 5 stories
Good Morning, Mr. Smith!
5 pp · Horror-Suspense, Science Fiction

In "Good Morning, Mr. Smith!" from Mystic #26 (1954), a severed head—left behind after a botched surgery—begins to exact a chilling revenge, using hypnotic power to manipulate the very surgeon who dismembered it. As the doctor’s own head is removed and placed into the life support machinery, the line between patient and predator blurs in a story of twisted retribution.

The Man in the Tomb!
5 pp · Horror-Suspense, Science Fiction

In "The Man in the Tomb!" from Mystic #26 (1954), a desperate scientist faces an impossible choice: to end humanity’s endless cycle of self-destruction by letting it fade out in fifty years—or to erase the future entirely. With quiet resolve, he prepares to seal his fate in a tomb, leaving behind only the weight of his decision.

The Old Witch
4 pp · Horror-Suspense

In "The Old Witch," a husband’s growing unease over his wife’s decision to shelter a homeless woman spirals into paranoia when he becomes convinced the old woman is a witch plotting to swap bodies with his wife. As his fear takes hold, he acts in desperation—only to face a chilling revelation when the police uncover the truth.

The Living and the Dead!
5 pp · Horror-Suspense
The Strange Machine
4 pp · Science Fiction

ComicBooks.com Value

Our Model is In Beta
Raw (Good) $131
CGC 8.0 · 1 in census $1,307*
CGC 7.5 · 1 in census $1,271
CGC 7.0 · 1 in census $885*
CGC 6.5 · 1 in census $832
CGC 6.0 · 4 in census $659
CGC 5.5 · 8 in census $552
Show all 13 grades
CGC 5.0 · 3 in census $513*
CGC 4.5 · 3 in census $426*
CGC 4.0 · 6 in census $382
CGC 3.5 · 6 in census $343*
CGC 3.0 · 4 in census $298*
CGC 2.5 · 1 in census $248*
CGC 2.0 · 1 in census $217*
* estimate — limited direct-sales data at this grade
Our model’s value — refined as new sales data arrives · CGC census counts shown where available
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History

Atlas Comics published the third and final volume of Mystic as a 61-issue horror-suspense anthology running from March 1951 through August 1957, edited throughout its pre-Code years by Stan Lee. Issue #26 shipped in late 1953 with a cover date of January 1954, placing it squarely in the period when Atlas was expanding its science-fiction and horror line — Mystic itself had launched just before the debut of Strange Tales, pushing the company's genre titles from four to six. The lead story's art credits were preserved through the research database atlastales.com, which tracked job numbers and confirmed Vic Carrabotta as the penciler and inker of 'Good Morning, Mr. Smith!'

Trivia · 8 facts

  • Published by Atlas Comics (Marvel's 1950s imprint) with a cover date of January 1954; on-sale date was late October or December 1953 depending on the source.
  • Lead story 'Good Morning, Mr. Smith!' features a detached head that uses hypnotic compulsion to swap itself with the surgeon responsible — both penciled and inked by Vic Carrabotta, with colors attributed to Stan Goldberg.
  • The issue carries a prominent severed-head cover image, placing it among the pre-Code Atlas books that attracted congressional and public scrutiny over horror-comic content in the early 1950s.
  • Second story 'The Old Witch' is written by Stan Lee and depicts a body-swap scheme by an elderly witch; art is tentatively attributed to Jerry Robinson and/or Bob Forgione based on research by scholars Ger Apeldoorn and Dr. Mike Vassallo.
  • Third story 'The Man in the Tomb!' by artist Al Luster is an atomic-war parable in which a scientist concludes humanity's self-destruction via nuclear conflict is preferable to repeating the cycle.
  • Stan Lee served as editor of the Mystic series at the time of this issue's publication.
  • 'Good Morning, Mr. Smith!' and 'The Living and the Dead!' were both reprinted in Marvel's Tomb of Darkness #9 (July 1974); 'The Old Witch' was reprinted in Dead of Night #8 (February 1975).
  • The Atlas Mystic series operated entirely in the pre-Comics Code era until issue #37 (May 1955), after which the title softened its horror content in line with the newly established Comics Code Authority.

Full credits

artist, inker Al Eadeh

Reprints

Reprinted in Tomb of Darkness #9 (1974), Varulv på natten #1/1975 (1975), Dead of Night #8 (1975), Das Monster von Frankenstein #33

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