Mirabelle #27 January 1968
☆ Be the first to review + Add to your collection — Join freeIn "Mike and Me," Stefanie faces growing anxiety as her younger brother Paddy begins school, his absence one day after she’s delayed by chores for the boarders leaving her unsettled and searching. Drawn with quiet emotional depth by Juan Solé Puyal, whose distinct artwork brings the story’s intimate moments to life, this issue captures the fragile bond between siblings in a world where small worries carry heavy weight.
In "Mike and Me," Maria, a singer with a part-time beat group chasing big dreams, finds herself at a crossroads after a breakdown sends her to her aunt’s seaside home. There, she meets Mike, a quiet fisherman whose calm presence begins to ease her restless spirit. As her two-week stay nears its end, Maria faces the quiet weight of choosing between the life she knew and the peace she’s just begun to find.
In "null" from Mirabelle #27 (January 1968), Stefanie, devotedly caring for her younger siblings since their parents’ passing, finds her calm routine disrupted when her brother Paddy vanishes after school. Worried and overwhelmed by the chores she’s juggling for the boarders, she’s left scrambling to find him—just as the first day of school begins to unravel.
In "A Busful of Boys!" from Mirabelle #27 (January 1968), Mary finds herself caught in a series of awkward, misfired flirtations on her daily commute, each moment nudged forward by her other self’s bold suggestions. Just as things start to go awry, a familiar policeman is always there to step in—though whether he’s a savior or a complication remains unclear.
In "Mystery Love," Jo finds herself tangled in a surprising moment when she sees Marsh trying to flee—only to realize he’s not just running from her, but from another girl too. The next morning, Marsh declares he’s leaving town without delay, saying he has someone urgent he must meet.
In "Showdown!" from Mirabelle #27 (January 1968), Jean finds herself locked in a tense stand-off with a young man over a coveted theatre seat, each convinced they’re the rightful owner. When the argument escalates, they’re asked to settle it outside—only for Jean to discover her ticket is for the next night, leaving her with a moment of quiet surprise.
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