Men of Mystery Comics #77
☆ Be the first to review + Add to your collection — Join freeIn "The Victory Vampire," the Bullet duo confronts a sinister sanctuary ruled by an ancient, corrupting force that shields evil humans within a twisted temple. With moody, atmospheric art by Munson Paddock, the story unfolds in a chilling, otherworldly setting where morality bends and danger lurks in every shadow. The cover, by Mike Machlan, captures the eerie intensity of the tale.
In "The Victory Vampire," Minute Man faces a chilling new threat when Nazi forces converge on a long-abandoned castle, only to awaken a legend: the mysterious Count, presumed dead, now risen as the Victory Vampire. With time running short and the past clawing its way into the present, Minute Man must confront both the supernatural and the enemy at his doorstep.
In "Spiggetti, the Knife-Throwing Saboteur," Angelo, a man consumed by rage over a decade in prison, is forced to attend a high-stakes Defense Ball in Washington D.C. under orders to assassinate a key government official—his only chance at freedom, but at what cost?
In "Temple of Evil," the Bullet duo faces their most twisted challenge yet: infiltrating a hidden sanctuary where ageless corruption thrives, and every shadow shelters a human soul beyond redemption. Written by an unknown hand and illustrated by an unknown artist, the story unfolds in a temple that pulses with dark purpose, testing the duo’s resolve in a place where evil is not just tolerated—it’s protected.
In "Without a Body," Midnight races to Saturn in a desperate bid to stop Xog, whose ambition to rule the universe has led him to unleash a terrifying transformation. Ambushed mid-chase, Midnight is stripped of his physical form and scattered as gas—now a spectral fugitive fighting to reclaim his body before Xog’s plan reaches its final, unstoppable stage.
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↩ Reprints Whiz Comics #26 (1942), Heroic Comics #19 (1943), Master Comics #43 (1943), Captain Midnight #66 (1948)
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