Marvel Tales #127
☆ Be the first to review + Add to your collection — Join free"Vampires Also Die" is a haunting tale from Marvel Tales #127 (1954), a standout issue drawn with moody precision by Gene Colan, whose inks deepen the story’s emotional weight. When a vampire’s jealousy leads him to betray his brother, the shocking truth behind his sibling’s strength unravels in a moment of devastating revelation—leaving him to face his guilt in silence. The cover by Harry Anderson captures the story’s eerie, melancholic tone, making this a memorable entry in the early Marvel canon.
In "Vampires Also Die," a jealous vampire schemes with a witch to eliminate his brother, only to learn too late the truth behind his family's sorrow. Written by an unknown author and illustrated by an unknown artist, the story unfolds in five haunting pages, revealing a bond between brothers deeper than blood, and a grief that cuts both ways.
In "Buried Alive!", a cunning magician's plan to eliminate his romantic assistant backfires in the most chilling way when he’s buried alive—only to be rescued by the very woman he tried to drown. With a twist that turns betrayal into a haunting embrace, the story unfolds as a deadly game of fate, where the past rises from the river to claim the present.
When a bank president is struck by an unexplained shock in his bathroom and finds himself suddenly intangible, he sees a bizarre opportunity—why not rob his own bank? Just as he's about to make his move, the strange effect begins to fade, leaving him trapped mid-motion, his body half-inside the vault door.
In "Skrak's Secret!" from Marvel Tales #127 (1954), an envious artist sneaks into the studio of a reclusive painter known for his grotesque masterpieces, only to uncover a chilling truth: the man doesn’t just imagine his figures—he creates them from life, using ether and surgical tools. The story unfolds with a quiet dread, as the artist confronts the unsettling source of the paintings’ realism, revealing a secret far darker than mere technique.
In "Gone Is the Gargoyle," a gargoyle masquerades as a policeman to wed a human woman, hiding his true nature as his kind preys on humanity. When his fellow gargoyles threaten his wife, he is driven to violence—only to have his secret exposed by another of his kind. The truth shatters him, and in silence, he chooses his final act.
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Reprints
↩ Reprints Combat #3 (1952)
Reprinted in Spellbound #16 (1962), Spellbound #17 (1962), Mystic #58 (1965)
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