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Little Lizzie #1

Jun 1949 · Marvel · 0.10 USD
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★ 1st appearance — Willie Lumpkin
About this Issue

Little Lizzie #1 is a revealing artifact of the post-war transitional moment at Timely/Marvel, when a publisher famous for superheroes pivoted sharply into humor, funny-animal, and genre-fiction titles to survive a collapsing market for capes-and-tights comics. As the first appearance of Lizzie Lumpkin — a character whose surname Stan Lee recycled into the Marvel Universe decades later via Willie Lumpkin, the Fantastic Four's beloved mailman — the issue carries an unexpected thread of continuity into the Silver Age. It also documents the extent to which Marvel's humor output of this era was frankly derivative, modeling its child-protagonist strip directly on the enormously popular Little Lulu (and to some degree Nancy and Sluggo), making it a candid case study in how comics publishers of the late 1940s chased proven trends rather than developing original voices. The series was obscure enough in its own time to last only five issues, yet it was revived under the Atlas imprint in 1953 and was reprinted again in Marvel's Li'l Kids anthology in the early 1970s — a three-decade arc of resurrection that speaks to the material's modest but durable appeal.

Contains 7 stories
Untitled Humor story
9 pp · Humor, Children
Untitled Humor story
6 pp · Humor, Children
Untitled Humor story
1 pp · Humor
Untitled Humor story
1 pp · Humor
Untitled Humor story
5 pp · Humor, Children
Untitled Humor story
1 pp · Humor
Untitled Humor story
1 pp · Humor

ComicBooks.com Value

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Raw (Good) $67
Flagged key issue — estimate limited by sparse sales.
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History

Little Lizzie #1 was released on February 25, 1949, with a cover date of June 1949, during the brief window when Martin Goodman's company was actually branded 'Marvel' before the Atlas globe logo era began in late 1951. Stan Lee, then editor-in-chief, scripted the stories, with artist David Gantz handling pencils and inks — a creative pairing confirmed across multiple sources for at least the first issue. The series was published through a shell entity consistent with Goodman's practice of routing titles through dozens of corporate imprints, and it fits squarely into the post-Golden Age genre scramble: with superhero readership collapsing and publishers like EC gaining ground in horror and other genres, Lee and Goodman were casting a wide net across humor, romance, westerns, and talking-animal titles to find what would stick.

Trivia · 8 facts

  • Released February 25, 1949; cover-dated June 1949 — a product of the brief period when Goodman's company carried the 'Marvel' brand name before the Atlas era officially began.
  • First appearance of Lizzie Lumpkin (designated Earth-616 in the Marvel Database), a child protagonist whose Lumpkin surname connects her in fan lore to Willie Lumpkin, the Fantastic Four's mailman — a character Stan Lee created years later.
  • Written by Stan Lee (then editor-in-chief) and illustrated by artist David Gantz, who penciled and inked the stories; additional artists including Horace Elmo and Hal Lockwood contributed to later issues in the run.
  • Lizzie's chubby rival/foil in the original 1949 run was a character named Stingy MacDingy, a recurring figure in the series' humor built around penny-pinching gags.
  • The series drew obvious visual and structural inspiration from Dell's Little Lulu (scripted by John Stanley) and bore similarities to Ernie Bushmiller's Nancy — a deliberate attempt to replicate those strips' proven child-audience appeal.
  • The original five-issue Vol. 1 run ended with issue #5 (cover-dated April 1950); the character was revived in 1953 under the Atlas Comics imprint with a new three-issue series (Vol. 2, #1–3, Sept. 1953–Jan. 1954), this time drawn by Howie Post, with a noticeably different visual take on Lizzie.
  • Marvel reprinted Little Lizzie stories in its early-1970s anthology title Li'l Kids, confirming the material survived long enough to be considered reprint-worthy two decades after its original publication.
  • The series sat within a broader wave of Timely 'Little' humor titles of the period — including Little Lana and Little Lenny — reflecting Goodman's strategy of flooding the market with genre variations to find commercial traction.

Full credits

writer Stan Lee
artist, inker David Gantz

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