Lanciostory #7
In "I giorni contati," Paul faces a quiet, devastating truth: his time is limited. Determined to spare his wife Anne the pain of his passing, he pushes her away—yet in secret, he arranges for her future security through a risky plan involving an old friend and stolen schematics. With emotional weight and restrained tension, this poignant story unfolds through the expressive artwork of Gustavo Trigo, both in pencils and inks. The cover, by Arturo del Castillo, captures the story’s somber mood with striking precision.
When a journalist investigating a mob boss is declared dead, his estranged sister convinces Simon to look into the circumstances—only to uncover that Simon, far from being the man he seems, may be hiding a secret as old as time, with a past that stretches far beyond his youthful appearance.
Paul, knowing his time is limited, pushes away his wife Anne in a painful attempt to shield her from future grief. In secret, he entrusts a friend with plans to rob a bank, ensuring Anne will be provided for—and cared for—after he’s gone.
Tristan, a man happily married and running one of Jacksonville, Texas’s most successful businesses, finds his life unraveling when he realizes the enterprise he’s built is funded by a shadowy organization that uses him as a paid assassin. After returning from a job in El Paso, guilt begins to take hold, pushing him to confront the truth and make a choice that could change everything.
In a dusty stretch of frontier land, Jo, a half-Indian man wrongfully imprisoned, escapes only to be shot and abandoned in the desert. When a mysterious figure known as Cobra rescues him, taking Jo’s jacket to impersonate him in Stone City, the real danger begins—someone is waiting there, armed and ready.
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↩ Reprints Skorpio #3 (1974)
Reprinted in Revista Pif-Paf #1 (1975)
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