La Zorra y el Cuervo #275
In La Zorra y el Cuervo #275, Zorri takes a bold step to reclaim her peace by building a barrier between her home and the tree where Cuervo lives—cutting off both the view of her neighbor’s cluttered yard and the feeling of being watched. Written by Cecil Beard and Alpine Harper, with art and inks by Jim Davis, this quietly poignant story captures a moment of boundary-setting with quiet humor and subtle tension.
In this quietly poignant tale from *La Zorra y el Cuervo* #275, Jo builds a barrier between her home and Cuervo’s tree—not just to block the view of his messy yard, but to keep from feeling watched, as if her solitude is being invaded. The quiet tension between neighborly distance and shared space unfolds with gentle humor and a touch of melancholy, all in the familiar world of anthropomorphic animals.
In "null," Jo, a perpetually grumpy canary, faces a crisis of identity when the date of Flippity’s birthday becomes a mystery—was it today, or not? With Flop the cat and Sam the dog torn between celebration and caution, the question of whether to gift or withhold sends ripples of chaos through their already-tense household.
In "null," a smooth-talking con-man tricks Jo into trading her Mamacita’s “very preety piece of pottery” for a so-called “magic jumping bean”—a bean that hops only because a worm is inside. The story unfolds with playful mischief and classic comic charm, as Jo tries to outwit the scammer in a lighthearted tangle of deception and gullibility.
In "null," the Fox makes a dramatic departure from his life of comfort, handing over his money and food-stocked house to the Crow before declaring he’s abandoning civilization to live by his wits—just like the fox of old. The story captures a quiet, wry shift in their dynamic, leaving the Crow to inherit both wealth and the weight of what comes next.
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Reprints
↩ Reprints Real Screen Comics #87 (1955), The Fox and the Crow #38 (1957)
Reprinted in Batman #611 (1972)
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