Jeruzalem #[nn]

Guy Delisle's Jeruzalem opens with a quietly arresting image: a lone figure sits hunched on a stone, absorbed in a sketchbook or book, while the ancient walled city — complete with a domed church, a great arched gate, and a cemetery stretching along the ramparts — spreads out behind him in Delisle's characteristically spare, unhurried linework. The muted, sandy palette and clean compositions feel perfectly matched to a city layered with millennia of meaning. It's an understated, deeply human way to invite readers into one of the world's most storied places.