Hulk #29
In "Die Geburt des ... Hulk-Killers!", the tide begins to turn for the Hulk as the president considers a pardon—only for Boomerang to exploit the moment, reigniting the rage and proving once more that the jade giant remains a force too volatile to trust. Written by Stan Lee and Hartmut Huff, with dynamic art by John Buscema and Mike Esposito, this 1976 classic captures the tension between redemption and chaos. Gil Kane’s striking cover completes the package, a bold visual promise of the fury to come.
In "Die Geburt des ... Hulk-Killers!", Bruce Banner finds himself clinging to a missile aimed at New York City, narrowly avoiding a transformation as he reroutes the weapon. Suspecting the Hulk is behind the attack, General Ross unleashes the Leader’s most formidable humanoid robot in a desperate bid to stop the green giant.
In "Der Humanoid und der Held!", the Hulk finds himself at a crossroads when the president offers a pardon if the threat is truly over—only for Boomerang to exploit the moment, reigniting the Hulk’s rage. With the stakes higher than ever, the jade giant faces off against the newly upgraded, if still style-challenged, Boomerang in a clash that tests both strength and perception.
In "Unter uns wandeln ... die Wächter! (Teil 1)," after a vacation following their clash with the Juggernaut, the X-Men are called back when Professor X engages in a televised debate with the controversial anthropologist Dr. Trask. The broadcast takes a dark turn when Trask reveals his Sentinels—towering robots designed to hunt and neutralize mutants—declaring their superiority and launching an attack. As the Sentinels seize Trask and retreat to a hidden base, the X-Men pursue them into a concealed complex bristling with weapons aimed squarely at their arrival.
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↩ Reprints The X-Men #14 (1965), Tales to Astonish #86 (1966), Tales to Astonish #87 (1967)
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