Hulk #17
In "Le musée du Collectionneur," the Hulk finds himself entangled in a mysterious museum heist where the exhibits seem to have a mind of their own. Written by Steve Englehart and Mike Friedrich, with dynamic art by Sal Buscema and inks by Frank McLaughlin, this 1981 issue delivers a classic Marvel twist with a touch of the uncanny. The cover, a striking piece by Bernie Wrightson, captures the eerie atmosphere of the story’s central mystery.
In "Coup monté," the Falcon, injured by a street gang, turns to Captain America for help—only to grow restless with being seen as a mere "costumed athlete." Seeking deeper support, he convinces Cap to reach out to the Black Panther, leading T'Challa and Leila Taylor to Wakanda. Meanwhile, Cap grapples with news of Peggy Carter’s new role in SHIELD, while a shadowy campaign unfolds: Quentin Harderman, head of the Committee to Regain America's Principles, launches a public smear against him. Harderman stages a charity fight between Cap and the Tumbler, setting the stage for a dangerous deception that could end in tragedy.
In "Valkyrie à New York," the Defenders find themselves caught in a tense international standoff as Dr. Banner aids Soviet scientists in treating Namor, Hellcat, and Nighthawk for radiation poisoning. With Red Guardian—now a being of pure nuclear energy—held under Russian custody, the remaining heroes are forced to leave the country, leaving Valkyrie to face Lunatik in a clash that tests her strength and resolve.
In "L'entrée de Miss Marvel," the Hulk is captured by A.I.M. in a scheme to brainwash him and turn him against Ms. Marvel. With the Defenders by her side, she must confront the threat and free the Hulk before his mind is lost.
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↩ Reprints Captain America #169 (1974), The Incredible Hulk #197 (1976), The Incredible Hulk #198 (1976), The Defenders #56 (1978), The Defenders #57 (1978), Hulk #16 (1981)
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