Hit Comics #10
☆ Be the first to review + Add to your collection — Join freeHit Comics #10 holds a firm place in Golden Age history primarily as the earliest confirmed comic-book work by Reed Crandall, an artist who would go on to define the look of Quality's Blackhawk and later become one of EC Comics' most celebrated contributors. The issue also continues the run of the Old Witch — a horror-anthology hostess whose phantom-coach tale in this issue is now recognized as a direct structural forerunner of the EC horror-host format that would dominate the early 1950s; comic-book historian Alex Grand has pointed out the uncanny parallel between these Quality Old Witch stories and Graham Ingels' later work in Haunt of Fear. Together, those two elements — a major artist's debut and a proto-EC horror framework — make #10 a quietly consequential artifact of the medium's development.
An anthology issue featuring multiple stories, prominently including a Red Bee adventure in which the hero pursues a villain through underground passages and later engages in aquatic combat with enemies near a ship called the Norwick. Another story involves a man named Carlos and a boat filled with cargo kegs; after G-5 thanks a peasant and disappears, the ship is quickly loaded at a wharf, pushed into the sea with red lantern robes, and Carlos returns to his boat where he discovers hidden kegs and confronts a spy about their contents.
When composer Lanny Cole discovers that Morgan and his gang have stolen his songs, he takes them to court—but the trial hinges on finding proof before justice can be served. With evidence finally in hand and an eyewitness ready to testify, Cole confronts the thieves in a dramatic courtroom showdown that will determine who truly owns the music. A clever mystery wrapped in 1941 pulp style, where the real crime isn't just the theft, but getting the law to believe it.
Dan Tootin, the madcap chemist, shrinks down into the microscopic world to confront the cold germs plaguing humanity—only to find himself caught in a pint-sized argument about who's been wronging whom. When the cold germs redirect him toward a far more dangerous quarry, Dan's pursuit takes an unexpected turn that lands him in hot water with science itself. This one-page romp from Hit Comics #10 proves that sometimes the smallest problems pack the biggest comedic wallop.
The Strange Twins and their ally Wing Low track the notorious jewel thief Sir Vivian Ashton—known as "His Lordship"—to his hidden sanctuary in Tibet, where the villain has fled with his stolen loot. When Ashton imprisons one of the twins in his dungeon, the brothers devise a daring deception using their identical appearance and Wing Low's knowledge of Oriental magic to outwit their host and his guards. Can the Strange Twins maintain their clever charade long enough to escape Ashton's fortress?
Assistant District Attorney Rick Raleigh, better known as the Red Bee, infiltrates a cargo ship bound for China and uncovers a scheme far more sinister than he expected—Shanghai Joe and his crew of modern-day pirates are hijacking supplies meant for the war effort. With his faithful companion Michael at his side, the Red Bee must stop the robbery, reclaim the cargo, and bring the criminal operation to justice before the thieves escape with their prize.
A young traveler named Ralph Thorne hears an otherworldly melody drifting from a storm-battered island and decides to investigate—only to discover a ghost with an urgent mission. The specter reveals herself as a musician from the future, bound to save her destined father from murder on the mainland, and enlists Thorne's help to prevent a tragedy that would erase her own existence. What unfolds is a race against time as Thorne must reach the mainland and stop a killer before it's too late.
When a wealthy munitions manufacturer named Malcolm Lyor uses intimidation and violence to force Congressional votes for war, Don Glory—Champion of Democracy—uncovers the scheme and moves to stop him. As Lyor's thugs threaten senators and stir up manufactured conflict in the streets, Don must expose the profiteering war monger before he can push America into unnecessary bloodshed. It's a race against time as this patriotic hero fights to protect democracy itself from those who would exploit it for personal gain.
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We Buy Collections ▸History
Hit Comics was Quality Comics' sprawling anthology title, packaged largely through the Eisner & Iger studio under editor S.M. Iger and running from July 1940 to July 1950 across 65 issues. Issue #10, cover-dated April 1941 and released in early February of that year, was one of the densest in the series, drawing on an unusually large roster of contributors that included Lou Fine (cover), Jack Cole, Nick Cardy, Klaus Nordling, John Celardo, Henry Kiefer, Alex Blum, Bob Powell, and Reed Crandall. Crandall had joined the Eisner-Iger shop after graduating from the Cleveland School of Art and moving to New York, where Quality publisher Everett 'Busy' Arnold was beginning to notice his fine-lined draftsmanship; this issue marks his first credited interior comics work.
Trivia · 8 facts
- Published April 1941 (on-sale date approximately February 5, 1941) by Quality Comics; 68 pages at a cover price of ten cents.
- First Reed Crandall interior comic-book art — Crandall would later become one of Quality's signature artists on Blackhawk and a celebrated contributor to EC Comics in the 1950s.
- Cover art by Lou Fine, one of the most admired Golden Age cover artists, whose work on Hit Comics is widely cited as among his finest; Will Eisner called Fine 'the epitome of the honest draftsman' and Joe Simon credited Fine as Jack Kirby's favorite artist.
- Contains an Old Witch horror-anthology installment in which she narrates the myth of the Lorelei song — part of a running horror-host series (beginning in Hit Comics #1) that researchers identify as a structural precursor to EC Comics' horror-host format.
- The Old Witch feature in this series is attributed to the pen name 'Pierre Winter,' believed by comics historians to be Lou Fine.
- Stories include 'Hercules Goes Hollywood' (art by John Celardo), 'The Song Robbers' starring Betty Bates (art by Nick Cardy under the pseudonym Lincoln Ross), a Dan Tootin humor page by Jack Cole (credited as Ralph Johns), and 'Fiesta of Spies' starring Bob and Swab by Klaus Nordling.
- Jack Cole also contributes the one-page 'Cold Germs' story starring Dan Tootin, working here under a pseudonym — an example of the widespread practice of pen-name credits throughout Golden Age Quality books.
- Hit Comics as a series was later acquired by DC Comics along with all Quality Comics properties, though no issue was ever published under the Hit Comics name after 1950.
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