Grindhouse: Doors Open at Midnight #8

Dark Horse's gleefully disreputable Grindhouse: Doors Open at Midnight wraps up "Flesh Feast of the Devil Doll" with its second and final part, and Dan Panosian's cover makes absolutely sure you know what you're in for — a blood-splattered, humanoid creature with long flowing hair and a gaping maw full of jagged teeth lunges forward, clawed hands outstretched, against a sickly green background. It's the kind of lurid, exploitation-cinema energy that writer Alex de Campi and artist Gary Erskine have been channeling throughout this series, and this cover promises the story delivers on every grotesque expectation. If you've been riding along for the mayhem, issue #8 is the midnight-movie finale you've been waiting for.