Girls' Romances #99
☆ Be the first to review + Add to your collection — Join freeIn "Less Than Perfect," Mary finds herself caught in a web of unintended consequences when her usual habit of drawing attention from her friends' boyfriends backfires—especially when she falls for Roger, only to be publicly rejected by him. The emotional stakes rise as Mary confronts the irony of her own actions, leading to a moment of unexpected vulnerability. Don Heck’s art, inked by Bernard Sachs, captures the quiet tension of teenage heartache, while Jay Scott Pike’s cover perfectly frames the story’s bittersweet mood.
In "Less Than Perfect," Janet finds herself drawn to the charming Don, leaving her steady boyfriend Jerry in the background—though his quiet reliability might just be the real standout. A sweet, quiet moment of self-reflection unfolds as she weighs the sparkle of a new romance against the comfort of something familiar.
In "Man-Stealer," Mary’s reputation as the girl who steals boyfriends takes a surprising turn when she falls for Roger—only to be cruelly rejected by him, believing he’s mocking her. But as the truth unfolds, it becomes clear that Roger’s harsh words were not the end of the story, and Mary finds herself caught in a tangled web of feelings she never expected.
In "In the Name of Love!" from Girls' Romances #99 (1964), Wendy finds herself drawn to Greg, who promises to help her land a job in television—only to move on to someone else. As she grapples with heartbreak, Jack, a photographer with quiet tenderness, steps in to support her, though he's determined to keep his distance until she's ready.
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Reprinted in Cinévision #19 (1966), DC 100-Page Super Spectacular #5 (1971), Young Love #93 (1972)
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