Funny Pages #1
☆ Be the first to review + Add to your collection — Join free"White Goddess [conclusion]" wraps up a unique, reader-driven anthology in Funny Pages #1 (1940), a 10-cent comic that showcases original artwork submitted by fans including Rose Marie Imes, Claude Cook, and Thomas Harris. Penciled and inked by Paul Gustavson, the cover complements the issue’s playful, community-inspired spirit, while Joe Miller’s interior art brings the final chapter to life.
In this 1940 tale from *Funny Pages #1*, Mantoka inherits his father’s shamanic powers just as his tribe’s hunters begin vanishing. When he tracks the disappearances to a white man enslaving them in hidden mines, Mantoka must use his newfound abilities to confront a threat that strikes at the heart of his people’s survival.
In "null," G-Man Gene is pulled into a high-stakes mystery when Stubs stumbles upon a corpse he believes is a federal agent. With Jinny determined to come along, the pair uncovers an opium smuggling ring tied to the elusive Wu Chang, leading to a tense confrontation and a daring rescue.
In the final chapter of "White Goddess," Zuma’s desperate act to end Briny Bill’s reign of terror backfires when he falls to his death at the hands of a gorilla. With Bill gone, Gary begins to fulfill his promise to return Ora—now revealed as Joan Trever—to England, but their journey takes a new turn as a quiet bond between Joan and Gary deepens into something more.
In the sweltering heat of a southern city, Jo, a quiet librarian with a meticulous routine, leads a secret life as The Owl, a masked vigilante whose father—once crippled by a racketeer—crafted the flying suit that lets him soar. When a kidnapping brings them to Zeb’s isolated farm, the Owl takes to the skies to stop the criminals, his father’s past vengeance now fueling a present-day pursuit.
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Reprinted in The Golden Age of Comic Books #[nn] (1977), Comics the Golden Age #2 (1984)
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