Elektron #3
In "Os roubos de Mento, o diabólico," the mysterious criminal Mento strikes again, leaving behind a trail of clever heists that baffle local authorities. This 1967 issue from Editora Brasil-América features a full-page ad for a correspondence course offering everything from detective training to guitar lessons, hinting at the era's blend of education and escapism. The cover, by Gil Kane, captures the era's bold, dynamic style with sharp pencils and inks.
In "Os roubos de Mento, o diabólico," Elektron and his ally Átomus face off against the cunning Mento, whose sharp mind turns every tactic into a trap. With no clear advantage in strength, the heroes must outthink a foe who thrives on deception and control.
In "Os roubos de Mento, o diabólico — II parte," Artie Perkins wakes to find stolen objects scattered through his room, each one a puzzle with no clear origin. As Mento’s influence spreads across parallel worlds, Artie turns to Átomus for answers, drawing both heroes into a web of mystery and escalating danger.
In "Os roubos de Mento, o diabólico — III parte," Elektron uses his shrinking ability to slip free from an electrified cage, now facing the daunting task of rescuing Átomus and Artie. With Mento watching calmly, the real challenge begins: finding tools in the room to disable the trap before it's too late.
When Aquaman notices Aqualad acting out of character—wearing an iron mask and attacking him—his trust in his longtime companion wavers. As the Sea King investigates, strange currents and ancient magic pull him toward a hidden truth, drawing him into a conflict that reaches beyond the ocean’s depths. The mystery deepens with the arrival of Erdo, the Sorcerer, whose motives remain as murky as the sea floor.
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↩ Reprints World's Finest Comics #132 (1963), Daniel Boone #2 (1965), The Atom #29 (1967)
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