Eerie #4
☆ Be the first to review + Add to your collection — Join freeIn "Cremation of Evil," Dick Cartwright inherits a family estate and a mysterious model ship, "The Falcon," from an ancestor whose dark legacy lives on in the ship’s cursed crew. As the undead captain emerges from the model, the truth of a long-buried crime begins to surface—only to claim Dick as its final victim. Mo Marcus brings the chilling tale to life with stark, evocative art, while Wally Wood’s haunting cover captures the dread of a family’s cursed inheritance.
In "Cremation of Evil," Richard Sinclair's desperate wish to bring his wife back from the dead takes a horrifying turn when she returns with a malevolent will. After she murders the maid and a detective, her final act becomes a deadly confrontation with her husband—until a chance spark ignites a fiery end.
In "The Ship of Death!" from Eerie #4 (1951), Dick Cartwright inherits a decaying house and a curious model ship called the Falcon—along with a legacy of dread. The ship’s cursed crew, frozen in time as figurines, are bound to the Cartwright bloodline, and when the undead captain confronts Dick, the past comes alive in horrifying silence. The story unfolds with chilling precision, where every creak of the house echoes a forgotten crime.
In "The Puppet Pulls the Strings," ventriloquist Dorian Grant builds a life-sized mechanical puppet named Bruno, only to find the machine acting with unsettling will of its own. When Bruno kills Grant’s former employer Vale during a visit, Dorian is left in a daze—his movements eerily puppet-like—before meeting a sudden end in traffic. The line between creator and creation blurs as the story leaves readers questioning whether madness took hold or if Bruno was pulling the strings all along.
In "Phantoms of Reality," Wall Street clerk Charlie Walton is pulled into a surreal journey through the fourth dimension by his enigmatic friend Derek—only to discover that Derek is actually Alexandre, a displaced prince from another realm. As Charlie witnesses the strange, shifting realities of this hidden dimension, he begins to unravel the truth behind a forgotten king's fall and the mysterious bond between two worlds.
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Reprinted in Black Magic Comics #5 (1952), Wally Wood: Eerie Tales of Crime and Horror #[nn] (2013), Vampiress #3 (2025)
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