Eerie #15
☆ Be the first to review + Add to your collection — Join freeIn "The Werewolf of Warsham Manor!" from Eerie #15 (1954), a desperate man fleeing the African jungle takes a deadly gamble—killing a lookalike and assuming his identity. As he settles into the eerie mansion, secrets from the past begin to surface, unraveling a mystery that may be more than he bargained for. The story unfolds with chilling precision, drawn in stark, expressive lines by Norman Nodel, whose cover art captures the tale’s gothic dread.
Robert Warsham arrives at his uncle’s deathbed only to hear a chilling family secret: a cursed bloodline tied to a monstrous beast born from a failed experiment. As he learns the grim truth—that every Warsham turns 45, the wolfman returns to claim another life—his own fate begins to unfold in the shadows of the manor.
In Budapest, newlywed Walter Austen races through the city’s hidden sewers to rescue his bride, Jo, after she’s taken by a zombie and brought to an ancient underground cavern. There, he confronts a centuries-old madman wielding the power to raise the dead, plotting to flood the surface with his undead army. With courage and quick thinking, Austen turns the tide—sending the madman and his horde plunging into the depths below.
In "The Subway Horror!" from Eerie #15 (1954), Harry Horton’s desperate act of pushing his wife onto the subway tracks spirals into a nightmarish descent when he begins seeing her mangled corpse haunting him. Haunted by guilt and paranoia, he’s driven to the edge—until a chilling twist reveals the truth: the woman he killed was not his wife, but a stranger wearing her coat.
In the shadowed hills of Transylvania, two detectives of old blood—Czerny and Gruszy—race to stop a killer whose monstrous deeds echo an ancient legend. As they uncover the truth behind the Grahku, a cursed creature of the night, they must act before the next moonrise—but the final clue comes too late to save them both.
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↩ Reprints Eerie #1 (1951)
Reprinted in Pre-Code Classics: Eerie #3 (2016)
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