Doomsday Album #15
☆ Be the first to review + Add to your collection — Join freeIn "What Evil Haunts This House?", Burt Roman’s violent act sets off a chilling chain of events when he frames his murdered partner Ed Huggins using a twisted tale of polka-dot kerchiefs—only for those same kerchiefs to reappear, carrying a vengeance of their own. Drawn with sharp, unsettling detail by John Prentice, this 1980 horror tale from K. G. Murray unfolds in a quiet house where the past refuses to stay buried. Cover by John Prentice.
In "Divide and Murder," John uses a strange ability to split his spirit from his body and eliminate those who threaten to expose him—until his latest victim, in a twist he never anticipated, slips into his form and prepares to confess everything the next time he leaves it behind.
In "The Fatal Superstition," Burt Roman frames his partner Ed Huggins for murder using a twisted tale of polka-dot kerchiefs, but when the symbols start appearing again—uninvited and unexplained—his carefully constructed lie begins to unravel. The story unfolds with chilling precision, as guilt and paranoia twist reality in a tale where the past refuses to stay buried.
In "Designs for Disaster," set designer Dane Foote stumbles upon an ancient candle while sorting through old props, and under its eerie glow, he conjures a stunning new set design and a chilling special effect for his film. What begins as a creative breakthrough takes a terrifying turn when the exact disaster he imagined in his dream unfolds in a real town—just as the movie's scene is filmed.
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Reprints
↩ Reprints House of Mystery #35 (1955), House of Secrets #19 (1959), The Witching Hour #17 (1971), The Witching Hour #19 (1972), House of Secrets #97 (1972), House of Secrets #98 (1972), House of Secrets #99 (1972), House of Mystery #208 (1972), Forbidden Tales of Dark Mansion #9 (1973), Ghosts #20 (1973), Weird Mystery Tales #23 (1975), The Unexpected #189 (1979), The Unexpected #192 (1979)
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