Crime Clinic #5
☆ Be the first to review + Add to your collection — Join freeIn "No Second Chance," penitentiary librarian Harvey Sheppard stands accused of murdering his wife, but psychiatrist Dr. Rodgers isn't so sure the man is guilty—especially when he begins to suspect Harvey might be shielding the real culprit: his wife’s former lover. With stark, expressive art by John Prentice and sharp, moody inks by the same hand, this 1952 Crime Clinic tale unfolds with a quiet intensity that lingers long after the final panel. The cover, a striking portrait by Norman Saunders, captures the weight of guilt and doubt in a single frame.
Dr. Tom Rogers, a brilliant prison psychiatrist, helps paroled convict Stuart Manly secure his freedom and dreams of honest work—but when society's doors slam shut, Manly spirals into crime, setting him on a collision course with the ruthless newspaper publisher Edgar Jay Adams, who had blocked his rehabilitation. In "No Second Chance," Rogers must confront both the paroled man he tried to save and the powerful figure determined to keep him down.
In "One Last Hope," board chairman Sykes faces a pivotal decision when he initially denies parole to Robert Cranshaw—until a sudden blow to the head plunges him into a vivid, haunting vision of prison life, forcing him to reconsider his judgment. The story unfolds with a tense psychological shift, exploring the weight of one man’s choices and the fragile line between justice and mercy.
Jake Dutton, a notorious jewel thief known as "The Iceman," walks out of prison ready to go straight—or so he tells himself. When word reaches him of a fortune in Bradley heirlooms about to be displayed at the Carter Gallery, he gets pulled into a heist alongside associates who want to steal the gems. After scoping the job, Dutton hatches his own plan to beat them to it, but a midnight raid at Bradley Acres nets him only a single pearl necklace—and sets off a chain of events that spins further and further out of his control.
In "The Lady Killer," Harvey Sheppard, a quiet penitentiary librarian serving time for his wife’s murder, finds his story under scrutiny when Dr. Rodgers questions whether his apparent guilt is a performance—orchestrated to shield the real culprit, her ex-lover. The tension builds as the past and present collide in a prison cell where every confession might be a lie.
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Reprinted in Alter Ego #128 (2014)
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