Corto Maltese #8 [59]
In "Una notte con il demonio," Clark Kent, long a silent guardian, finally steps into the spotlight when he must save the space shuttle Constitution in a daring public act. This pivotal moment brings him face to face with Lois Lane for the first time, setting the stage for a new chapter in his life. Written by John Byrne and Ranieri Carano, with art by Byrne and inks by Dick Giordano, the issue features vibrant colors by Tom Ziuko and a striking cover by Byrne and Giordano.
In the sweltering jungles of Burma during the Second World War, Lieutenant Robert Salter leads his exhausted patrol through the dense wilderness, pushing forward despite the toll of war. When they stumble upon an ancient temple hidden beneath the canopy, the air grows thick with unease—something ancient stirs in the silence.
In the final days of Krypton, Lara and Jor-El share a quiet, heartfelt moment as they speak of their unborn son and Jor-El’s desperate plan to save him. As the planet trembles beneath mounting chaos, Jor-El launches Kal-El toward Earth, trusting the stars to guide him.
In "Capitolo 1°: Il segreto" di Corto Maltese #8, Clark Kent, ormai una stella del football grazie alla sua forza sovrumana, viene chiamato a confrontarsi con una verità sconvolgente: il suo padre adottivo gli rivela che non è umano, ma un alieno proveniente da un altro mondo. La scoperta getta una luce inaspettata sulla sua identità e sulle sue origini.
In "Capitolo 2°: Scoperto!", dopo anni di segreti, Clark Kent si trova costretto a compiere la sua prima azione pubblica di supereroe, salvando l'aereo spaziale Constitution. In quel momento, incontra per la prima volta Lois Lane, segnando l'inizio di un incontro che cambierà tutto.
In "Epilogo: Il super eroe," Jo and Kent work together to craft a costume for Clark, designing a clever solution that lets him seamlessly shift between identities—keeping his secret while stepping into the role of Superman. The story quietly explores the weight of legacy and disguise, with a focus on the careful balance between who Clark is and who the world expects him to be.
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↩ Reprints Battle Picture Library #62 (1962), The Man of Steel #1 (1986), The Man of Steel #2 (1986)
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