Cinévision #17
"Un amour orageux" in Cinévision #17 (1966) delivers a quiet storm of teenage emotions, centered on a moment of misjudgment that sends ripples through a small school circle. When Edith sees Fanny in Phil Hemont’s arms, her reaction sets off a chain of decisions — Marc’s defiant loyalty, Edith’s sudden rush to buy a bal dress — all before the truth about the embrace is revealed. Al Hartley’s expressive art brings the tension to life, capturing the fragile line between assumption and reality.
When Edith sees Fanny in Phil Hemont’s arms, she tells Marc, sparking a bet: if it’s true, Marc will go to the ball with Edith instead of Fanny. Determined to prove her point, Edith buys a new dress, but the truth behind the moment is far from what anyone expected—Fanny and Phil were simply rehearsing for a school play.
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↩ Reprints Love and Life Library #54 (1961)
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