Charlie Chan #3
☆ Be the first to review + Add to your collection — Join freeIn "The Lottery Murders," Charlie Chan turns his sharp mind to a cryptic mystery, using a numerical code to reveal a startling connection between history and prophecy—assigning values to letters, he calculates that the name "Hitler" adds up to 666. Written, drawn, and inked by Alfred Andriola, this 1983 Pacific Comics Club issue blends mystery with a touch of the surreal, all rendered in Andriola’s distinctive style. The cover, also by Andriola, captures the story’s eerie intrigue.
In "null," the notorious criminal The Hawk launches a high-stakes scheme to derail Speedy Crane’s bid to pitch for the Centropolis Dolphins, aiming to seize control of the team from owner June Marberry. With the game on the line and tensions rising, Speedy must outwit a foe who plays by his own rules.
In "null," Lee Chan, the son of legendary detective Charlie Chan, returns home eager to follow in his father’s footsteps. Through a series of quiet, insightful moments, Charlie shares lessons from past cases—each a small window into the mind of a master sleuth—guiding his son with patience and precision.
In "null," Charlie Chan recounts a case from before the war, using a simple but telling detail: the way a bullet shatters glass reveals the direction it came from. The story hinges on a moment of sharp observation, turning a small clue into a pivotal insight.
In "The Lottery Murders," a feverish Lee lies confined by the measles, giving Charlie Chan the perfect audience for a chilling tale: a string of killings orchestrated like a macabre lottery, where victims are chosen by name, drawn one by one, and eliminated in cold blood.
In "null," Charlie Chan dives into a chilling mathematical puzzle, revealing a startling connection between the name "Hitler" and the number 666 by assigning numerical values to each letter of the alphabet starting at 100 for A. The story unfolds as a cryptic exploration of symbolism and prophecy, leaving readers with more questions than answers.
In "null," Charlie and Kirk investigate a plane crash on the grounds of a secluded estate, stumbling upon a tense situation where a woman and her brother have taken a man hostage—someone who seized control of their father’s business. The story unfolds with quiet urgency, weaving mystery and personal stakes through a single, pivotal encounter.
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↩ Reprints Big Shot #71 (1946), Charlie Chan #1 (1980)
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