Blackhawk #155
☆ Be the first to review + Add to your collection — Join freeIn "Killer Shark's Land Armada," Jo-Jo the clown takes a dark turn, unleashing a series of chaotic stunts across stage, screen, and silver screen in retaliation against the rise of modern entertainment. Written by the team behind the series and brought to life with sharp, dynamic art by Dick Dillin and Sheldon Moldoff, this 1960 issue captures a surreal clash between fading circus tradition and the new media age. The cover, penciled by Dillin and inked by Charles Cuidera, perfectly encapsulates the absurd menace of Jo-Jo’s twisted campaign.
In "The Clown Prince of Crime," Jo-Jo the clown turns his act of mischief toward the very entertainment industries he blames for the circus's fading glory—targeting theatres, movie houses, and television with a series of chaotic stunts. Written by an unknown author and illustrated by an unknown artist, the story follows Jo-Jo’s escalating campaign as he seeks to reclaim the spotlight for the circus, one absurd prank at a time.
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↩ Reprints Big Town #39 (1956)
Reprinted in Blackhawk #7 (1961), Serie-nytt [Serienytt] #15/1961 (1961), El Halcón de Oro #36, Top Comics Der Schwarze Falke #120, Top Comics Der Schwarze Falke #121
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