Big Boss #67
In "Blackie étoile du cinéma," scientist Palmer’s experiments with a mysterious reducer lens take a startling turn when a cave-in traps him, Jean, and his students—forcing him to risk using the device on himself. To his astonishment, instead of being destroyed, he shrinks to the size of an atom, discovering new dimensions of danger and possibility. Written by Gardner Fox and brought to life by Gil Kane’s dynamic art with Murphy Anderson’s crisp inks, this 1962 adventure blends scientific curiosity with thrilling suspense in a story that redefines the limits of size and survival.
In "Nous avions délivré le démon du donjon," two hunters journey to the fabled village of Loessburg, drawn by whispers of a sorcerer’s dark reign. What they uncover beneath the castle’s ruins is no mere legend—buried in the dungeon lies an alien entity, the source of the sorcerer’s power, now long forgotten.
On his twenty-first birthday, Clyde Clary awakens to extraordinary abilities and a hidden truth about his origins, setting him on a journey to Altor—the underground city where he was born. This mysterious tale, drawn from the 1962 anthology Big Boss #67, unfolds with a quiet intensity, blending science fiction wonder with the weight of forgotten lineage.
In "Naissance de l'Homme Atome," scientist Palmer faces a desperate moment when he and his students are trapped in a cave-in, forcing him to risk using his unproven reducer lens on himself. The experiment transforms him into a human atom, shrinking to a scale beyond imagination—yet surviving the ordeal. The story unfolds with quiet intensity, exploring the limits of science and the unexpected consequences of pushing beyond the known.
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↩ Reprints House of Secrets #38 (1960), Detective Comics #286 (1960), My Greatest Adventure #51 (1961), House of Mystery #107 (1961), Detective Comics #291 (1961), Blackhawk #162 (1961), Showcase #34 (1961), World's Finest Comics #120 (1961)
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