Big Boss #58
In "Trois effarants souhaits," Bernard Baily's stark artwork brings to life a surreal tale of obedience and deception, where men build a cannon under the command of a mysterious moon-dweller—only to discover his true nature as a mole-man beneath the surface. Jay McArdle's cover captures the eerie tension of the moment, as the earth itself becomes both prison and weapon.
In "Canon infernal," a mysterious moon-dweller demands a cannon to return to the stars, but the truth is far more grounded—literally. As men labor to build the weapon, they unknowingly serve a mole-man whose real goal is to be sent back beneath the earth, not into the sky. The story unfolds with quiet dread, as the final act seals the hole, leaving only the weight of what was hidden—and what was believed.
In "La cité des trois cauchemars," a Nazi submarine travels through time, witnessing three harrowing eras—each a nightmare of its own making—before choosing to surrender in the present. The story unfolds with quiet dread, blending historical weight and speculative horror in a haunting, no-frills journey through consequence.
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↩ Reprints House of Secrets #2 (1957), Tales of the Unexpected #15 (1957), House of Mystery #65 (1957), House of Mystery #66 (1957), Detective Comics #249 (1957), My Greatest Adventure #18 (1957)
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