Baking with Kafka #[nn]
☆ Be the first to review + Add to your collection — Join freeA collection of short, whimsical comic strips that blend the mundane frustrations of daily life with surreal literary and pop culture references, often featuring a hapless protagonist navigating awkward social situations and existential dread. Originally serialized online, this volume gathers the strips into a single edition from Drawn & Quarterly, showcasing Gauld's signature deadpan humor and minimalist art style.
In "Time-Travel Adventure," Tom Gauld delivers a quietly absurd and perfectly paced tale of two insects navigating the quiet tension between isolation and connection. With his signature deadpan wit and crisp, minimalist art, Gauld explores the quiet drama of a Sensible Caterpillar building a wall to keep out strangers—while the Stupid Beetle, ever cheerful, invites them in with open arms. A 21.95 CAD comic from 2017, this story is drawn, inked, colored, and lettered by Tom Gauld, with cover art by him as well.
In "Some Murder Methods for Modern Mystery Writers," Jo stumbles upon a list of increasingly bizarre murder techniques—like organic cyanide grown in a backyard garden or an e-cigarette that explodes mid-ride in a self-driving car—while researching a new mystery novel. The story playfully skewers genre conventions with a deadpan tone, turning the usual whodunit tropes into something both absurd and oddly plausible.
In "Town Mouse," the titular character returns to the countryside seeking refuge, only to find that Country Mouse has transformed his simple life into a lucrative brand—now too wealthy to welcome an old friend. The story quietly explores the shifting tides of friendship and identity, all within a single, sharp page.
In this playful, surreal twist on a classic, Jo finds herself navigating a series of bizarre alternate versions of *Jaws*—where the shark looms larger than life, drifts through space, shares a cabin with the crew, or simply doesn’t show up at all. Written by a mind bent on absurdity and drawn with a dreamlike precision, the story turns a familiar terror into a meditation on absence, scale, and the stories we tell to make sense of the unknown.
In "null," a wry, one-page meditation on time and toil, the absurdity of human imagination takes center stage as a lone ancestor grumbles about the weather—specifically, the rain—while everyone else quietly assumes their forebears relished the same dusty trails they now ponder. Written with dry wit and drawn in a spare, expressive style, the story turns a mundane moment into a quiet rebellion against collective mythmaking.
Jo follows a deadpan set of instructions for submitting a spy novel—each step more absurdly precise than the last—culminating in a quiet, surreal invitation to meet a publisher, arranged through the Swiss Embassy. Written with a dry wit that turns bureaucratic routine into espionage farce, the story turns the act of publishing into a game of shadows, all in just one perfectly paced page.
In "My Forthcoming Counter-Factual History Books," Jo flips through a series of delightfully absurd book covers that reimagine history with a wink—Roman legions battling in orbit, dinosaurs on the battlefield alongside WWII soldiers, and stockbrokers trading in the Ice Age. The humor lies in the deadpan presentation of these impossible timelines, each more delightfully ridiculous than the last.
In "Errors Commonly Made by Inexperienced Murder-Mystery Novelists," a sly, self-aware riff on the genre’s tropes, the story dissects the clichés that plague amateur detective tales—like a single suspect, a missing murder, or a detective who just… stops trying. Written with sharp wit and illustrated with deadpan precision, it turns the rules of the mystery genre into its own kind of puzzle.
In "Common Mistakes in Radio Interviews," a single page of absurdist humor from Baking with Kafka, a guest’s increasingly bizarre behavior during a live broadcast—ranging from avoiding eye contact to donning an insect costume—turns a simple interview into a surreal comedy of errors. The story’s deadpan delivery and visual gags highlight the awkwardness of media appearances with a delightfully off-kilter charm.
In these delightfully absurd forgotten chapters of *Emma*, Jane Austen’s heroine finds herself far from Highbury—teaming up with a witch, facing off against Napoleon, and discovering a knack for frontier survival in the wild west. A playful, genre-bending twist on a classic, this one-page tale reimagines Emma’s world with unexpected flair.
In "The Sensible Caterpillar and the Stupid Beetle," a cautious caterpillar constructs a wall to keep the world at bay, while a carefree beetle invites everyone in—leading to very different lives behind the same quiet garden fence. Written by the creator of Baking with Kafka, this brief, thoughtful tale explores quiet choices and the unexpected costs of comfort.
In "The Characters in My New Play," a whimsical lineup of eccentric roles—ranging from a duellist to a taxidermist—comes to life in a single page of absurd, deadpan humor. Written with a sharp, playful wit, the story imagines a cast so delightfully odd that even the most mundane professions feel like dramatic archetypes.
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Reprints
Reprinted in En cuisine avec Kafka #[nn] (2017), Kochen mit Kafka #[nn] (2018), Печемо з Кафкою #[nn] (2019)
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