Après la mort, après la vie #[nn]

A striking woodcut-style cover rendered entirely in black and white sets the mood for this Frémok release, showing two faceless, elongated figures hunched over an open book at a table while a lone microphone stands sentinel to their right. The stark, expressionistic linework — credited to Adolphe Avril and Olivier Deprez — carries an atmosphere somewhere between séance and interrogation, perfectly suited to a title that translates as *After Death, After Life*. This 2014 Belgian underground publication announces itself with quiet, unsettling confidence.