American Splendor #16
☆ Be the first to review + Add to your collection — Join freeIn "Snake," Harvey Pekar and artist Joe Zabel deliver a quietly unsettling story of dislocation and memory. Sarah and her friend Bob take a wrong turn in New Mexico, ending up in a remote stretch of the Santa Fe State Forest where time blurs and unease settles in. As they attend a Native corn dance and share a moment of unexpected connection with an elder, Sarah’s growing sense of familiarity with Harvey Pekar’s name leads to a haunting recollection that spans decades. The story, illustrated with Zabel’s precise lines and Dumm’s sharp inks, unfolds with the quiet intensity of real life pressing against the edges of the unknown.
In this candid 1991 conversation from American Splendor #16, Harvey Pekar shares a quiet moment with James "Izreal" Washington on a walk to work, sparking a thoughtful exchange about representation, race, and the weight of artistic responsibility. The discussion touches on Pekar’s portrayal of Black characters, the idea of racial reparations, and the broader context of Crumb’s controversial work—offering a rare, unguarded look at the tensions and reflections that shaped the comics world at the time.
In "Watching the Media Watchers," Harvey reflects on his sharp critique of Diane Sawyer’s coverage of Veterans Health Administration hospitals, questioning the media’s tendency to prioritize spectacle over substance. The story captures his thoughtful, no-nonsense take on how news reporting can miss the mark—even when the subject matters deeply.
In "Webb City," Harvey recounts a long-ago phone call with Don, reminiscing about a time he was swindled by an old man who promised him a rare 78 rpm record featuring Freddie Hubbard—back when jazz was more than just music, it was a kind of pilgrimage. The story unfolds in quiet, wry detail, capturing the weight of memory and the small, stubborn hope that lingers after a dream slips away.
In "Christian's Golden Summer," a young man named Christian shares with Harvey his ambitious plan to make it to Europe for the summer while also saving for med school living expenses. Told with the quiet honesty that defines American Splendor, the story captures a moment of determination and quiet hope, as Christian navigates the real-life pressures of dreams and responsibility.
In "Easter Island," Sarah and her friend Bob take a wrong turn that leads them to a quiet, haunting stretch of New Mexico, where the vast landscape and isolation stir something deep. As they wander through the Santa Fe State Forest and attend a Native corn dance, Sarah finds herself drawn into a quiet spiritual awakening—spurred by an elder’s words and a mysterious letter she writes to Harvey, whose name suddenly feels like a forgotten echo from the past.
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Reprinted in Best of American Splendor #[nn] (2005)
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