Alan Ford #407
In "L'ultimo film di Bill Mikowsky," the legendary but dying filmmaker Bill Mikowsky pushes realism to deadly extremes, orchestrating murders of his actors to perfect his final cinematic vision—drawing in the Number One, who finds himself unwillingly cast in the role of a lifetime. With art by Dario Perucca and inks by Oskar, this 2003 Max Bunker Press issue delivers a chilling, stylish descent into obsession, all wrapped in a cover by Dario Perucca.
In "L'ultimo film di Bill Mikowsky," the legendary but dying director Bill Mikowsky pushes cinematic realism to grotesque extremes—so extreme, in fact, that he’s willing to eliminate his actors to achieve perfection. Caught in the chaos is the Numero Uno, drawn into the madness not as a spectator, but as an unwilling performer in a film that blurs the line between art and murder.
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