Aggie Mack Comics #5
☆ Be the first to review + Add to your collection — Join freeAggie Mack wins a beautiful baby contest with a photo she took of Bobo, unaware that his finger had slipped when the picture was taken. When Bobo is cast as a horse in the school play "Romeo and Juliet," he initially protests, but Aggie convinces him to accept the role. After rehearsals, Bobo asks Aggie to the prom, and when she initially declines, he manipulates the situation by claiming his cousin Freddie will take her instead, prompting Aggie to agree to go with him instead.
Aggie and Bobo try to earn two dollars for Whiskers’ dog license by entering a photo contest, enlisting the help of the Willikens twins. As they struggle to photograph the chaotic toddlers, Aggie hatches a wild idea to sew them to sofa pillows—only to face disaster when Mrs. Willikens discovers the mess and bans them from her home.
Aggie joins the Secret Sachems, a boys’ club with a mysterious initiation involving a blindfold, a secret tunnel, and a mock prisoner ordeal—only to discover the "spy" they’re chasing is her own dog, Whiskers. As the prank unfolds, Aggie realizes the book on child psychology she borrowed from the library might have been more useful than she thought.
Bobo is thrilled to land a starring role in the school play—until he learns he’s playing Napoleon’s horse, turning the drama into a farcical spectacle. As his crush Aggie tries to boost his fame by inviting a talent scout to the performance, Bobo’s chaotic stage antics spark chaos and laughter, leaving everyone wondering if he’s the star or the punchline.
Aggie Mack is caught in a whirlwind of romantic tension as three boys—Bobo, Freddie Fillbert, and Willie—each try to win her prom date, leading her to reluctantly accept Willie’s cousin, Chille, as a last-minute solution. On the night of the prom, Aggie is stunned when Chille arrives in a bizarre, self-built car and proves to be an awkward but book-smart date, much to her surprise and amusement.
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Reprinted in Vooda #20 (1955), Sweetie Pie #1 (1955)
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