Acto Fallido #1

In a crumbling medieval realm menaced by the advancing army of Kon-Ghi, Nun-Har—known as “the one who never lies”—rides into the king’s court with a grim truth: the enemy is coming, and the king will die. His words go unheeded, yet his prophecy unfolds with cold certainty as the kingdom falls. As the dust settles, Nun-Har departs on horseback, already a legend, already the next warning in motion.

In "La cábala," rising football star El Gallo Peña clings to a lifelong ritual: a street shoe shiner he believes brings him luck before every big game. As his career soars toward a championship final, the weight of his superstition becomes a quiet anchor—until he learns the old man has died. On the pitch, during a tense penalty kick, Peña confronts the truth behind his belief, only to meet a sudden, tragic end when a thrown stool strikes him fatally. The story ends with a news report confirming his death amid chaos at the stadium.

In a satirical urban sprawl, the Agencia de Servicio de Superhéroes sends El Águila Cáceres to deal with a bizarre domestic complaint: a "plague" of babosas. What starts as a routine mission spirals into a surreal, sexually charged farce when the slugs turn out to be flirtatious women in a garden, testing the limits of his macho heroics. The story closes with a violent intervention and a punchline that nods to another, more absurd superhero, all wrapped in sharp satire and adult humor.

In "Lalo… al fin solo!", Lalo’s quiet storm-day plan to binge on beer, popcorn, and forbidden films takes a sharp turn when an unexpected visitor rings his doorbell. As his imagination runs wild with escalating fears and absurd scenarios, the tension builds into a surreal, chaotic spiral of panic and mistaken identity. The story ends with his mother returning to find him utterly undone—just as the final panel declares: “FIN.”

In "Adiós a la infancia," children’s playful rituals with toy cars and religious icons spiral into a violent fantasy that mirrors real conflict. When armed soldiers enter their world, the line between imagination and danger vanishes—leaving a crucifix broken in a room once filled with games.