2099 #8
In "Home, sweet home," Doom and Wire are stranded in a hostile stretch of cyberspace, hunted by a relentless cyber cat, with no escape in sight. When Doom dissolves into data, Wire finds a way to reassemble himself using the reactivated program Paloma—now a key to survival in this digital labyrinth. Written by John Francis Moore and illustrated by Pat Broderick, with inks by John Nyberg and colors by Christie Scheele, the issue's cover by Kelley Jones and Mark McKenna captures the eerie, high-stakes atmosphere of this digital frontier.
In "Home, sweet home," Miguel returns to uptown disguised as a Public Eye, hoping to slip past danger and reach safety—only to stumble into a squad of Public Eyes hunting a group of people dressed as Spider-Man. The story unfolds with tense uncertainty, as Miguel must navigate a world where identities blur and loyalties are anything but clear.
In the glitching void of a rogue cyberspace realm, Doom and Wire are stranded, hunted by a relentless cyber cat. When Doom dissolves into data, Wire must reawaken the forgotten program Paloma—only to find it’s not just a tool, but something far more complex.
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Reprints
↩ Reprints Doom 2099 #7 (1993), Ravage 2099 #8 (1993), Spider-Man 2099 #9 (1993)
Reprinted in Spindelmannen #20/1994
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