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The Wasp, 1892 · page 571 of 590

The Wasp — 1892 — page 571: what you’re looking at

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The Wasp — 1892 — page 571: The Wasp, 1892

What you’re looking at

This page contains three satirical scenes mocking upper-class social pretension: **Top panels:** A "Freshman" (new wealthy person) attempts to join fashionable society. Established gentlemen mock his taste and manners, suggesting he's an outsider trying to buy respectability. **Bottom panel:** "After the Opera Is Over" depicts a well-dressed man flanked by two women in ballet costumes, appearing to be a wealthy patron or "stage-door Johnny." The exaggerated poses and ribbons suggest mockery of how affluent men displayed their wealth and romantic conquests through theater patronage. The overall satire targets nouveau riche social climbers and the pretension of Gilded Age high society—suggesting that money alone cannot purchase genuine class or taste.