The Slave Sculptor — page 35: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE RECOGNITION. 87 The worker at the cloak wore a melancholy countenance, She deemed herself alone, but even at that moment Tonatiuh came Into the apartment. With a long-drawn breath, the Prophetess threw upon a seat, and remarked: ail I have had good luck, Tizoc. I have sold every article I took ay.’ The woman looked up with a faint smile, as much as to say she Was pleased, then continued her “* Go-ep and see her, ehe ia.» sweet 2 started forward, and proceeded to descend through the ‘ing in the floor, for the of ascen to the chambers. Having re i tes nati Meare che moved the duageryantefally, toward the listened. Mazina was there and slept. Tonatiuh raised the gauze from the sleeper’s face, and gazed steadily upon her features. One moment she bent over the slumbering form, then started back, the pressed both hands upon her heart, and gasped for he appeared distresaed, groaned audibly, while her lips quivered and her eyes with tears. These emotions lasted but a brief ie egies calves fhe gauze which the white, clear features of the sleeper, and ** So like her,’’ ** Those features. Oh, how often That moment she ta gliz of the locket, haif hidden beneath Mazina’s robe. She took it in her hand, gazed at it, brilliancy. They would also interweave with the fabric, the delicate ent rabbi.s and other animals of like nature, and overlay it with repre- tentations of birds, flowers, and insects, making not only a warm but beauti- Yet the art in which they most delighted, was plumage, or work, in which they could produce all the effects of the most perfect The gorgeous plumage of the tropicel birds afforded every variety : and the fine down of the homming-bird supplied them with those Gof serial tints, which gave to their work that exquisite finish. a | com/cbooks.conn