Pulp Fiction, 1861 · page 114 of 228
Beadle's Dime Novels No. 33: Maum Guinea and Her Plantation Children — page 114: what you’re looking at
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106 MAUM GUINEA. had had wonderful adventures, the most of which had never extended beyond the swamps. and woods of their own plant- ations, But they were full of reminiscences of turkey-hunts and “ painters,” and strange experiences of alligators—some of the latter stories bearing evident marks of haying descended from. their Congo mothers, in the original shape of croco- diles, here softened down to our less formidable tribe. A fetishish and hobgoblin air had some of these remarkable traditions, grotesque and ridiculous, with not enough reason in them to’ pin the airiest faith to; but they were delightful to these vivid, untrained imaginations, and perhaps the wild- rolling eyes and big-mouthed credulity of the hearers were. all in keeping with the stories. One told about a turkey-hunt in which he took the most caution and delicate skill than seemed to be in his organiza- tion, perhaps he exaggerated his personal importance. His auditors swallowed his story as good-naturedly as they would have done the wild-turkey itself; and after it was finished, the negro with the fiddle sang a favorite song of the planta. tion-lands in Louisiana and Georgia, the chorus of which is a curiously-correct imitation of the peculiar cry of the turkey- cock when he calls to his distant mate—a soft, guttural, resounding utterance—and in the chorus the whole party joined— | a “4 Chng a-loggpe, ehug-s-loggee, chug-«logese cima . Look-a-heah, niggas! S’pose an alligator come out of de cane-brake as big as dat cypress log dar—guess you wouldn’t sing ne dropped jnto the circle. — eam ie : “ Wha’ for?” exclaimed half a dozen of the Aadtiiedn chorus, as they sprang to their feet and rolled their eyes in an extraordinary manner. Each one, standing as immovable, commicloooks.conn » —..